明显隐藏

Vincent L. Stephens
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引用次数: 0

摘要

本章通过讨论战后时代动态的性别规范,阐述了约翰尼·雷、小理查德、约翰尼·马西斯和利伯拉斯是如何取得主流商业成功的。这一章借鉴了Wini Breines的观点,将那个时代描绘成一个“迷失方向”的时代——值得注意的是,性别一致性的结果是普遍的异化。这些紧张关系产生了性别反叛的空间,这些空间在主流媒体的曝光和宣传中被污名化。这种可见性反映了公众对越轨行为的兴趣,并帮助男同性恋和女同性恋发展了一个社区的意识,催化了同性恋者和同性恋解放运动。与这些政治运动平行的是一场亚文化运动,在电影、文学和流行音乐领域的酷儿艺术家之间展开,在当时,这种运动明显是酷儿的,但却带有性别模糊性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visibly Hidden
This chapter illuminates how Johnnie Ray, Little Richard, Johnny Mathis, and Liberace achieved mainstream commercial success by discussing the dynamic gender norms of the postwar era. Drawing on Wini Breines, the chapter frames the era as one of “disorientation”--notably, the outgrowth of gender conformity was pervasive alienation. These tensions generated spaces of gender rebellion that were stigmatized in mainstream media exposés and publicized simultaneously. This visibility reflected a public interest in deviance and helped gay men and lesbians develop an awareness of a community that catalyzed the Homophile and Gay Liberation movements. Parallel to these political movements was a subcultural movement among queer artists in film, literature, and popular music that is discernibly queer yet trafficked in sexual ambiguity at the time.
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