女便服蜡染图案设计的灵感来源——托蓬苏拉卡塔

Kristanti Kristanti, FP Sri Wuryani
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摘要

印度尼西亚是一个拥有多种艺术和文化形式的国家,其中一种是在各个地区生长和发展的面具艺术。从广义上讲,面具在形状、功能和制作材料上有很大的不同。在艺术、仪式、宗教、卫生和表演活动中经常需要使用面具。在印度尼西亚,面具的传统早在文字出现之前就存在了。面具被认为代表着死者的灵魂,通常装饰有人类和动物的形状,象征着超自然的世界以及人类和他们的起源之间的关系。本文探讨了面具的形式,特别是作为蜡染图案创作灵感来源的泗水面具。蜡染图案是通过使用remasol染料和colet技术将面具风格化而制成的,结果是五件蜡染衣服被剪裁并缝制成女性休闲服。通过将泗水面具蜡染图案变成休闲服装,制作的服装可以将泗水的面具艺术介绍给更广泛的社区,保留面具艺术和蜡染艺术作为充满当地智慧的高价值传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Topeng Surakarta as a Source of Ideas for Batik Motif Design in Women's Casual Clothes
Indonesia is a country that has a diverse form of arts and cultures, one of which is the art of mask that grows and develops in various regions. Masks in a broad sense vary greatly from shape, function, and materials for which they are made. The need for the use of masks is often found in artistic, ritual, religious, health, and performance activities. The tradition of mask in Indonesia has existed since before the history of writing. Masks are believed to represent the spirits of the deceased and are often decorated with human and animal forms to symbolize the supernatural world and the relationship between humans and their origins. This paper explored the form of mask, specifically the Surakarta mask as a source of idea in batik motif creation. The batik motif was made by stylization of the mask using remasol dye and colet technique, resulting in five batik clothes that are cut and sewn into women casual clothes. By turning Surakarta mask batik motif into casual clothing, the clothes made can introduce the art of mask in Surakarta to the wider community, preserving both the art of mask and the art of batik as a high value tradition full of local wisdom.
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