迷宫与变形:非线性动态视觉语言Glide的建模意义

D. Slattery, W. Brubaker, Daniela K. O’Neil
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引用次数: 0

摘要

Glide是一个视觉符号系统,是一位艺术家在无处不在的计算机时代探索意义创造的可能性。格莱德最初是在同名投机小说作品中作为一件神器构造的。从叙事内部和叙事世界之外的理论立场审视语言,将艺术家带入了视觉语言表达品质的万花筒般的暗示可能性迷宫。计算机图形和动画的非线性和动态表现模式使新的意义维度成为可能。27个核心Glide符号的语义潜力随着颜色、大小、方向和连接类型的变化呈指数增长。当镌刻在光中的语言单位从静态、线性和二维中解放出来时,意义的构建和解释就会被揭示为动态和互动的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Mazes and morphs: modeling meaning in Glide, a non-linear, dynamic visual language
Glide is a system of visual signs, an artist's exploration of the possibilities of meaning-making in the age of ubiquitous computing. Glide was originally constructed as an artifact in a work of speculative fiction of the same name. Examining the language, both from within the narrative and from a theoretical stance outside the narrative world, has led the artist into a kaleidoscopic maze of suggestive possibilities of the expressive qualities of visual language. New dimensions of meaning are enabled by the non-linear and dynamic representational modes of computer graphics and animation. The semantic potentials of the 27 core Glide glyphs increases exponentially by varying color, size, orientation and type of linking. When linguistic units, inscribed in light, are freed from the static, the linear and the 2D, then meaning construction and interpretation are revealed as dynamic and interactive processes.
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