{"title":"存档异议:伊斯坦布尔和雅典政治街头艺术的材料轨迹","authors":"Julia Tulke","doi":"10.5117/9789463724913_ch05","DOIUrl":null,"url":null,"abstract":"In Athens and Istanbul, two cities that have emerged as epicentres of protest\n within the broader conjuncture of contemporary political mobilization\n across the Mediterranean, the transformative potential of political street\n art has become particularly evident. Staging a dialogic encounter between\n the two cities, this chapter examines how in each case interventions\n into public space as well as their circulation in the digital realm create,\n according to Can Altay, ‘hybrid space[s] of resistance’ that sustain political\n performances both grounded in the real world and beyond. Attentive to\n the resonances as well as the differences between the two cities and their\n respective political configurations, I reflect on manifestations of political\n street art in the context of contemporary social movements.","PeriodicalId":207980,"journal":{"name":"The Aesthetics of Global Protest","volume":"100 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Archiving Dissent : (Im)material Trajectories of Political Street Art in Istanbul and Athens\",\"authors\":\"Julia Tulke\",\"doi\":\"10.5117/9789463724913_ch05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Athens and Istanbul, two cities that have emerged as epicentres of protest\\n within the broader conjuncture of contemporary political mobilization\\n across the Mediterranean, the transformative potential of political street\\n art has become particularly evident. Staging a dialogic encounter between\\n the two cities, this chapter examines how in each case interventions\\n into public space as well as their circulation in the digital realm create,\\n according to Can Altay, ‘hybrid space[s] of resistance’ that sustain political\\n performances both grounded in the real world and beyond. Attentive to\\n the resonances as well as the differences between the two cities and their\\n respective political configurations, I reflect on manifestations of political\\n street art in the context of contemporary social movements.\",\"PeriodicalId\":207980,\"journal\":{\"name\":\"The Aesthetics of Global Protest\",\"volume\":\"100 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Aesthetics of Global Protest\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789463724913_ch05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Aesthetics of Global Protest","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789463724913_ch05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Archiving Dissent : (Im)material Trajectories of Political Street Art in Istanbul and Athens
In Athens and Istanbul, two cities that have emerged as epicentres of protest
within the broader conjuncture of contemporary political mobilization
across the Mediterranean, the transformative potential of political street
art has become particularly evident. Staging a dialogic encounter between
the two cities, this chapter examines how in each case interventions
into public space as well as their circulation in the digital realm create,
according to Can Altay, ‘hybrid space[s] of resistance’ that sustain political
performances both grounded in the real world and beyond. Attentive to
the resonances as well as the differences between the two cities and their
respective political configurations, I reflect on manifestations of political
street art in the context of contemporary social movements.