{"title":"《英雄倒下:重力、喜剧和达尔文的纠缠河岸","authors":"T. Campbell","doi":"10.5422/fordham/9780823281725.003.0010","DOIUrl":null,"url":null,"abstract":"This chapter aims to measure the biopolitical stakes of Darwin’s thinking of variability and natural selection in a historical ontology of ourselves today. When most contemporary ontologies point to catastrophe and mass extinction, what kinds of aesthetic and political strategies does a biopolitical reading of Darwin make available? One possibility, the chapter argues, is through a reconsideration of comedy and its associated pratfalls, the result of the law of gravity having been exiled from Darwin’s Origin of Species.","PeriodicalId":436819,"journal":{"name":"Systems of Life","volume":"31 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Hero Takes a Fall: Gravity, Comedy, and Darwin’s Entangled Bank\",\"authors\":\"T. Campbell\",\"doi\":\"10.5422/fordham/9780823281725.003.0010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter aims to measure the biopolitical stakes of Darwin’s thinking of variability and natural selection in a historical ontology of ourselves today. When most contemporary ontologies point to catastrophe and mass extinction, what kinds of aesthetic and political strategies does a biopolitical reading of Darwin make available? One possibility, the chapter argues, is through a reconsideration of comedy and its associated pratfalls, the result of the law of gravity having been exiled from Darwin’s Origin of Species.\",\"PeriodicalId\":436819,\"journal\":{\"name\":\"Systems of Life\",\"volume\":\"31 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Systems of Life\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5422/fordham/9780823281725.003.0010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Systems of Life","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5422/fordham/9780823281725.003.0010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Hero Takes a Fall: Gravity, Comedy, and Darwin’s Entangled Bank
This chapter aims to measure the biopolitical stakes of Darwin’s thinking of variability and natural selection in a historical ontology of ourselves today. When most contemporary ontologies point to catastrophe and mass extinction, what kinds of aesthetic and political strategies does a biopolitical reading of Darwin make available? One possibility, the chapter argues, is through a reconsideration of comedy and its associated pratfalls, the result of the law of gravity having been exiled from Darwin’s Origin of Species.