{"title":"少数民族生态批评视角下的《晋英之子》与《司司利之礼》中的民俗材料","authors":"Hue Bui Linh, Trang Nguyen Thi","doi":"10.18173/2354-1067.2021-0064","DOIUrl":null,"url":null,"abstract":"From the perspective of ecocriticism, this article shows that Ha Thi Cam Anh's The Son (2006) and Leslie M. Silko's Ceremony (1977) use folklore materials to express the eco-friendly philosophy towards the nature of their ethnic minority people. That feminine eco-philosophy contrasts with the masculinist culture which is showing many flaws and failures. Both writers implicitly call for a return to harmonious coexistence with nature.","PeriodicalId":219305,"journal":{"name":"Journal of Science Social Science","volume":"45 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE FOLKLORE MATERIAL IN HA THI CAM ANH'S THE SON AND LESLIE M. SILKO’S CEREMONY FROM THE ECOCRITICAL ETHNIC MINORITY PERSPECTIVES\",\"authors\":\"Hue Bui Linh, Trang Nguyen Thi\",\"doi\":\"10.18173/2354-1067.2021-0064\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"From the perspective of ecocriticism, this article shows that Ha Thi Cam Anh's The Son (2006) and Leslie M. Silko's Ceremony (1977) use folklore materials to express the eco-friendly philosophy towards the nature of their ethnic minority people. That feminine eco-philosophy contrasts with the masculinist culture which is showing many flaws and failures. Both writers implicitly call for a return to harmonious coexistence with nature.\",\"PeriodicalId\":219305,\"journal\":{\"name\":\"Journal of Science Social Science\",\"volume\":\"45 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Science Social Science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18173/2354-1067.2021-0064\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Science Social Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18173/2354-1067.2021-0064","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文从生态批评的角度，分析了Ha Thi Cam Anh的《儿子》(2006)和Leslie M. Silko的《仪式》(1977)用民俗学的材料来表达他们对少数民族本质的生态哲学。这种女性化的生态哲学与男权主义文化形成鲜明对比，男权主义文化显示出许多缺陷和失败。两位作家都含蓄地呼吁回归与自然的和谐共处。
THE FOLKLORE MATERIAL IN HA THI CAM ANH'S THE SON AND LESLIE M. SILKO’S CEREMONY FROM THE ECOCRITICAL ETHNIC MINORITY PERSPECTIVES
From the perspective of ecocriticism, this article shows that Ha Thi Cam Anh's The Son (2006) and Leslie M. Silko's Ceremony (1977) use folklore materials to express the eco-friendly philosophy towards the nature of their ethnic minority people. That feminine eco-philosophy contrasts with the masculinist culture which is showing many flaws and failures. Both writers implicitly call for a return to harmonious coexistence with nature.
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