研究-构建:设计工作室教学法下的生物材料发明

In Commons Pub Date : 1900-01-01 DOI:10.35483/acsa.am.111.40
Kyle Schumann
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引用次数: 0

摘要

学术设计-建造工作为学生提供了一个难以置信的机会,让他们体验动手施工,并看到他们的工作从绘图板跳到现实。然而,这些项目固有的复杂性和压缩的时间表通常限制了材料实验和发明的机会,经常偏向于根据客户和规划需求及时交付项目的经过验证的传统建筑系统的细节和施工。与此同时,学术领域的建筑创新越来越多地面对气候危机所带来的技术和材料需求。本文提出了一个通过工作室的研究-建造模式,将重点从项目和客户转移到材料发明和实验制造。该工作室从一系列的物理制作练习和材料探索开始,最终设计和建造了一个实验性的生物材料展馆,该展馆采用了三种建筑系统:双层编织竹墙,采用cnc加工细木工,弯曲的绿木材条遮阳篷,均来自校园景观废弃物,以及由校园纸张和木材废弃物制成的定制纸浆瓦。从当地环境和废物流中回收材料有助于提高公平性和获取材料的机会——让学生知道好的设计不一定需要昂贵的材料——作为一种环境策略,要求学生考虑他们正在使用的材料的生命周期和影响,并为生命周期结束而设计退役。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research-Build: Biomaterial Invention through Design Studio Pedagogy
Academic design-build work provides an incredible opportunity for students to experience hands-on construction and see their work jump from the drawing board to reality. However, the inherent complexity and compressed timelines of these projects typically limit opportunities for material experimentation and invention, often biasing detailing and construction with proven conventional building systems for timely delivery of a project based on client and programmatic needs. At the same time, architectural innovation in academic scholarship is increasingly confronting technological and material needs necessitated by the climate crisis. This paper presents a research-build model via a studio that shifts the emphasis from program and client to material invention and experimental fabrication. The studio began with a series of physical fabrication exercises and material explorations, culminating in the design and construction of an experimental biomaterial pavilion that pilots three building systems: a double-layered woven bamboo wall with CNC-milled joinery and a shade canopy of bent greenwood lumber strips, both sourced from campus landscaping waste, as well as a façade of custom paper pulp shingles made with campus paper and wood waste. Salvaging material from the local environment and waste streams serves to improve equity and access to material — teaching students that good design does not necessarily demand expensive materials — and as an environmental strategy, asking students to consider the lifecycle and impacts of the materials with which they are working, and to design for end of life decommissioning.
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