{"title":"死于陌生人的疾病:《押沙龙，押沙龙!》中的黄热病、叙事空间和排斥艺术","authors":"Edward Clough","doi":"10.1353/FAU.2019.0007","DOIUrl":null,"url":null,"abstract":"At the physical, narrative, and thematic center of Absalom, Absalom!, in one of the novel’s most memorable and vivid moments, Quentin Compson encounters the Sutpen family cemetery, seeking shelter when rain interrupts a quail hunt with his father. Later, as he recalls his impression at the beginning of a night’s storytelling with his Harvard roommate Shreve, Quentin vividly visualizes those collected graves:","PeriodicalId":208802,"journal":{"name":"The Faulkner Journal","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Dying of the Stranger's Disease: Yellow Fever, Narrative Space, and the Art of Exclusion in Absalom, Absalom!\",\"authors\":\"Edward Clough\",\"doi\":\"10.1353/FAU.2019.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"At the physical, narrative, and thematic center of Absalom, Absalom!, in one of the novel’s most memorable and vivid moments, Quentin Compson encounters the Sutpen family cemetery, seeking shelter when rain interrupts a quail hunt with his father. Later, as he recalls his impression at the beginning of a night’s storytelling with his Harvard roommate Shreve, Quentin vividly visualizes those collected graves:\",\"PeriodicalId\":208802,\"journal\":{\"name\":\"The Faulkner Journal\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Faulkner Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/FAU.2019.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Faulkner Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/FAU.2019.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Dying of the Stranger's Disease: Yellow Fever, Narrative Space, and the Art of Exclusion in Absalom, Absalom!
At the physical, narrative, and thematic center of Absalom, Absalom!, in one of the novel’s most memorable and vivid moments, Quentin Compson encounters the Sutpen family cemetery, seeking shelter when rain interrupts a quail hunt with his father. Later, as he recalls his impression at the beginning of a night’s storytelling with his Harvard roommate Shreve, Quentin vividly visualizes those collected graves:
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