Ramsey Mcglazer
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摘要

本章将阅读乔瓦尼·帕斯科利的寄宿学校田园诗《少年时代》(Paedagogium),这是他1903年用拉丁语写的一首诗,以及他的教育著作,包括由乔治·阿甘本(Giorgio Agamben)成名的论文《Pensieri scolastici》。阿干本在阅读这篇文章时,从诗人写作和教学的语境中,抽象出了Pascoli诗学中享有特权的孩子,即幻想的孩子,使这个孩子成为“声音”的承载者,先于任何和每一个人类语言的特定实例。这种阅读的优势在于,它将我们的注意力吸引到帕斯科利的惊人论断上:“诗歌的语言永远是一种死的语言。”然而,这一章认为,阿甘本用“死语言”掩盖了帕斯科利诗歌所做的事情。这一章将帕斯科利的《文学札记》回归到它第一次出版时的情境:一份教师期刊,帕斯科利在其中警告了对旧学校的威胁,也警告了诗歌和思想本身。为了反对这些威胁,反对乔瓦尼·詹蒂莱的教学哲学,《学堂》呼吁保护过去与现在的区别,保护死语言与活语言的区别。因此,帕斯科利不是在庆祝,而是在与这个国家保持有益的距离。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Among Fanciulli
This chapter reads Giovanni Pascoli’s boarding school idyll Paedagogium, a poem written in Latin in 1903, alongside his educational writings, including the essay “Pensieri scolastici,” made famous by Giorgio Agamben. In his reading of the essay Agamben abstracts the fanciullino, the small child privileged in Pascoli’s poetics, from the contexts in which the poet wrote and taught, making this child into the bearer of a “voice” prior to any and every particular instance of human speech. This reading has the advantage of drawing our attention to Pascoli’s striking claim that “the language of poetry is always a dead language.” The chapter contends, however, that Agamben obscures the things that Pascoli’s poetry does with “dead language.” The chapter returns Pascoli’s “Pensieri scolastici” to the context of its first publication: a journal for schoolteachers in which Pascoli warned of threats to the old school, but also to poetry and thought as such. Against such threats, and opposing Giovanni Gentile’s pedagogical philosophy, Paedagogium calls for the preservation of the past in its difference from the present and of the dead language in its difference from the living. Pascoli thus turns out not to celebrate, but rather to take instructive distance from, the nation.
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