作为城市环境艺术主体的历史意象

M. Dutsev
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引用次数: 1

摘要

本文探讨了历史城市环境中的艺术形象问题。对于建筑师、设计师或艺术家来说,历史意象可能是最令人期待和最发达的工作背景。与此同时,这种资源具有明确表达的“教育”特征,保留了对材料人工制品价值的信念,并尊重对丢失材料的记忆。这种资源的实际表现有:博物馆化、保护、重建失去的环境碎片;语境主义及其变体;隐喻、象征和原型意义;沉浸在过去的氛围中——创造一种特殊的气场;历史的延续。一个特别的方面是在全球趋势和地方传统的交叉点上的全球本地化的想法。今天,“博物馆”的概念显然是不够的:理解一个活生生的城市更可行。这就是为什么在个人历史的基础上,在一个人的个人精神领域中创造一个完整的神话具有特殊的艺术潜力。本文基于作者的建筑艺术整合概念,提供了一种在现代城市多层次现实中阅读历史的版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Image of History as Artistic Dominant of the Urban Environment
The article is devoted to the problem of the artistic image in the historical city environment. Image of history is perhaps the most anticipated and developed context for the work of an architect, designer, or artist. At the same time, this resource has a clearly expressed "educational" character, preserving faith in the value of a material artifact and respect for the memory of the lost material. There are several actual manifestations of this resource: museumification, conservation, reconstruction of lost environmental fragments; contextualism and its versions; metaphors, symbols and archetypal meanings; immersion in the atmosphere of the past-creating a special aura; prolongation of history. A special facet is the idea of glocalization at the intersection of global trends and local traditions. Today, the concept of a "museum" is clearly not enough: understanding a living city is more viable. That is why the creation of a complete myth in the personal mental field of a person on the basis of personal history has a special artistic potential. The article offers a version of reading history in the modern city multilayered reality based on the author's concept of art integration in architecture.
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