电视广告中穆斯林身份的表现

Bekti Istiyanto
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引用次数: 0

摘要

妇女在电视广告中的角色通过工作和学习等活动被描述为独立的。通过头巾、化妆和女性的角色,瓦尔达试图呈现当代穆斯林女性的身份,而不是僵化的,并与伊斯兰教法保持一致。本研究采用定性方法,采用焦点小组讨论(FGD)和深度访谈的数据收集技术。使用接收分析来分析数据。研究结果表明,每个信息提供者在接收和解释信息时都是不同的。这种意义上的差异是不同社会文化背景的结果。霍尔将信息者的意义分为三种类型,即主导阅读、协商阅读和对立阅读。有两名举报人属于占主导地位的阅读组,其中举报人大体上同意流行的伊斯兰文化。在协商阅读组中,有四个告密者。一般来说,举报人接受了一种流行的伊斯兰文化,这种文化出现在Wardah的广告中,然而,举报人适应了他们的喜好。在对立阅读的立场上,只有一个告密者符合标准,因为告密者拒绝大众伊斯兰文化的信息,因为他不理解被告密者紧紧抓住的宗教规则。FISIP Unsoed的穆斯林学生通常从基于社会文化背景的角色,服装和化妆等方面获得穆斯林女性身份的代表信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
REPRESENTASI IDENTITAS MUSLIMAH DALAM IKLAN WARDAH DI TELEVISI
The role of women in Wardah adverstisments on television is described as independent through activities such as work and study. Through the hijab, make-up, and women's roles Wardah tries to present the identity of contemporary Muslim women, not rigid and remain in accordance with the Shari'a. This study uses qualitative methods with data collection techniques using focus group discussions (FGD) and in-depth interviews. To analyze the data using the reception analysis. The results of the research indicate that each informant is different in receiving and interpreting the message. This difference of meaning is the result of different socio-cultural backgrounds. The meaning of informants is grouped into three categories of meaning according to Hall namely, dominant reading, negiotiated reading, and oppositional reading. There were two informants belonging to the dominant reading group in which the informant agreed in general about the popular Islamic culture. In the negotiated reading group there were four informants. In general, informants received a popular Islamic culture that was featured on Wardah's advertisements, however, the informants adapted to their preferences. In the oppositional reading position there is only one informant who meets the criteria because the informant rejects the message of popular Islamic culture because of his incompatibility on understanding the religious rules held tightly by the informant. Muslim students of FISIP Unsoed generally receive a message of representation of Muslim women's identity seen from aspects of role, dress, and makeup based on socio-cultural background.
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