{"title":"《我们看见/季节改变》:《仲夏夜之梦》中的气候变化","authors":"Sophie Chiari","doi":"10.3366/edinburgh/9781474442527.003.0002","DOIUrl":null,"url":null,"abstract":"In A Midsummer Night’s Dream (1595-96), wetness informs the play as a whole. The moon spreads humidity in Athens while the weather turns rainy and cataclysmic, due to the unruly behaviour of Oberon and Titania who are the source of the general confusion turning the world upside-down. Their quarrel over the little Indian boy alters the cycle of the seasons and, as a result, the would-be paradise of the forest is ‘filled up with mud’ (2.1.91). If Titania’s lines on climatic ‘distemperature’ (2.1.109) certainly have some sort of topical relevance, reducing them to a mere commentary on the vagaries of the English weather in the 1590s would hardly do justice to the richness and complexity of Shakespeare’s festive comedy. This chapter shows that the Dream and its ever-shifting environment serve as an experimental ground to challenge medieval beliefs and to test fresh hypotheses, such as the idea that people’s attitudes may in fact be responsible for climatic imbalance.","PeriodicalId":157608,"journal":{"name":"Shakespeare's Representation of Weather, Climate and Environment","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘We see / The seasons alter’: Climate Change in A Midsummer Night’s Dream\",\"authors\":\"Sophie Chiari\",\"doi\":\"10.3366/edinburgh/9781474442527.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In A Midsummer Night’s Dream (1595-96), wetness informs the play as a whole. The moon spreads humidity in Athens while the weather turns rainy and cataclysmic, due to the unruly behaviour of Oberon and Titania who are the source of the general confusion turning the world upside-down. Their quarrel over the little Indian boy alters the cycle of the seasons and, as a result, the would-be paradise of the forest is ‘filled up with mud’ (2.1.91). If Titania’s lines on climatic ‘distemperature’ (2.1.109) certainly have some sort of topical relevance, reducing them to a mere commentary on the vagaries of the English weather in the 1590s would hardly do justice to the richness and complexity of Shakespeare’s festive comedy. This chapter shows that the Dream and its ever-shifting environment serve as an experimental ground to challenge medieval beliefs and to test fresh hypotheses, such as the idea that people’s attitudes may in fact be responsible for climatic imbalance.\",\"PeriodicalId\":157608,\"journal\":{\"name\":\"Shakespeare's Representation of Weather, Climate and Environment\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare's Representation of Weather, Climate and Environment\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474442527.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare's Representation of Weather, Climate and Environment","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474442527.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
‘We see / The seasons alter’: Climate Change in A Midsummer Night’s Dream
In A Midsummer Night’s Dream (1595-96), wetness informs the play as a whole. The moon spreads humidity in Athens while the weather turns rainy and cataclysmic, due to the unruly behaviour of Oberon and Titania who are the source of the general confusion turning the world upside-down. Their quarrel over the little Indian boy alters the cycle of the seasons and, as a result, the would-be paradise of the forest is ‘filled up with mud’ (2.1.91). If Titania’s lines on climatic ‘distemperature’ (2.1.109) certainly have some sort of topical relevance, reducing them to a mere commentary on the vagaries of the English weather in the 1590s would hardly do justice to the richness and complexity of Shakespeare’s festive comedy. This chapter shows that the Dream and its ever-shifting environment serve as an experimental ground to challenge medieval beliefs and to test fresh hypotheses, such as the idea that people’s attitudes may in fact be responsible for climatic imbalance.