{"title":"社会科学中的视觉","authors":"B. McClanahan","doi":"10.2307/j.ctv1sr6gxt.8","DOIUrl":null,"url":null,"abstract":"This chapter describes the origins of visual criminology in visual anthropology, visual sociology, visual theory, cultural studies, media studies, and visual cultures. Noting the emergence of the visual as a field and object of study in a range of disciplines, it details the ways in which visual criminology has drawn on a diverse array of theoretical and methodological tendencies that preceded its formal development. This chapter also defines and operationalizes some key concepts and tensions in the field and in the book.","PeriodicalId":315748,"journal":{"name":"Visual Criminology","volume":"110 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Visual in Social Science\",\"authors\":\"B. McClanahan\",\"doi\":\"10.2307/j.ctv1sr6gxt.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter describes the origins of visual criminology in visual anthropology, visual sociology, visual theory, cultural studies, media studies, and visual cultures. Noting the emergence of the visual as a field and object of study in a range of disciplines, it details the ways in which visual criminology has drawn on a diverse array of theoretical and methodological tendencies that preceded its formal development. This chapter also defines and operationalizes some key concepts and tensions in the field and in the book.\",\"PeriodicalId\":315748,\"journal\":{\"name\":\"Visual Criminology\",\"volume\":\"110 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Visual Criminology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/j.ctv1sr6gxt.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Visual Criminology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/j.ctv1sr6gxt.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter describes the origins of visual criminology in visual anthropology, visual sociology, visual theory, cultural studies, media studies, and visual cultures. Noting the emergence of the visual as a field and object of study in a range of disciplines, it details the ways in which visual criminology has drawn on a diverse array of theoretical and methodological tendencies that preceded its formal development. This chapter also defines and operationalizes some key concepts and tensions in the field and in the book.