“法院把自己扭成结”:美国应用艺术的版权保护

J. Ginsburg
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引用次数: 1

摘要

在版权法中,美与实用的结合往往令人担忧。国内和国际法律制定者一直在努力确定版权是否应该涵盖艺术和功能性作品,以及在多大程度上涵盖这些作品。《美国版权法》对实用艺术作品的保护“只有当且仅在一定程度上,其设计包含了可以与物品的实用方面分开识别并能够独立存在的图形、图形或雕塑特征”。虽然将审美与功能分开的政策目标是明确的,但法院对法定“可分离性”标准的应用已经变得如此复杂和不连贯,以至于美国最高法院已经同意听取上诉法院对一个案件的上诉,在这个案件中,上诉法院呼应了姐妹巡回法院,表达了本文标题中引用的哀叹。本文将回顾法定标准的起源和适用,并从几个案例中加以说明,并提出两个结论和立法建议。首先,本院面临的争议并不涉及“有用条款的设计”,因此不需要本院解决“可分离性”的含义。尽管如此,这场争论揭示了确定有争议的设计是否实际上是一个“有用的文章”的设计的重要性。先前存在的图画、图形或雕塑作品应用于有用的物品,本身并不是有用的物品,法院毋须纠结于分析法定可分离性标准的含义。如果最高法院以Varsity Brands纠纷的解决方案实际上并不需要可分离性为由拒绝达成可分离性,一些人可能会对法院未能清理下级法院的混乱感到失望。但谓语问题——“有用物品”的设计是什么——也需要比下级法院给予的更多关注。因此,如果法院将可分离性留给事实上提出该问题的案件,法院仍将有助于澄清版权法的这一领域。其次,法定要求的单独可识别性和独立存在适用于设计的“特征”,而不是适用于有用物品的整个形状;将可分离性分析扩展到有用文章的整体形式的尝试(包括本文的冒险尝试)被证明是行不通的。因此,与其继续与棘手的法定版权标准作斗争,本文建议扩大标题17的独特外观设计保护制度,以涵盖大多数有用物品的原始设计。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Courts Have Twisted Themselves into Knots”: U.S. Copyright Protection for Applied Art
In copyright law, the marriage of beauty and utility often proves fraught. Domestic and international law makers have struggled to determine whether, and to what extent, copyright should cover works that are both artistic and functional. The U.S. Copyright Act protects a work of applied art "only if, and only to the extent that, its design incorporates pictorial, graphic, or sculptural features that can be identified separately from, and are capable of existing independently of, the utilitarian aspects of the article." While the policy goal to separate the aesthetic from the functional is clear, courts' application of the statutory "separability" standard has become so complex and incoherent that the U.S. Supreme Court has agreed to hear an appeal from a case in which the appellate court, echoing sister Circuits, expressed the lament quoted in the title of this article. The article will review the genesis and application of the statutory standard, with illustrations from several of the cases, and will offer two conclusions and a legislative proposal. First, the controversy before the Court does not concern the "design of a useful article," and therefore does not require the Court to resolve the meaning of "separability." The controversy nonetheless reveals the importance of ascertaining whether the contested design is in fact the design of a "useful article." A pre-existing pictorial, graphic or sculptural work applied to a useful article is not itself a useful article, and courts need not "twist themselves into knots" endeavoring to parse the meaning of the statutory separability standard. Were the Supreme Court to decline to reach separability on the ground that resolution of the Varsity Brands dispute does not in fact require it, some might be disappointed that the Court would fail to tidy the disarray in the lower courts. But the predicate issue – what is the design of a "useful article" – also warrants more attention than lower courts have given it. Thus, were the Court to leave separability to a case that in fact poses that issue, the Court would still contribute to clarifying this area of copyright law.Second, the statutory requirements of separate identifiability and independent existence apply to "features" of the design, not to the entire shape of a useful article; attempts (including those ventured by this article) to extend separability analysis to the useful article's form as a whole prove unworkable. Accordingly, rather than continuing to struggle with an intractable statutory copyrightability standard, this article proposes the enlargement of Title 17's sui generis design protection regime to cover original designs of most useful articles.
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