伊拉克地狱中的面具:伊拉克作家阿卜杜拉德的作品论al-Sattār Nāṣir

Geula Elimelekh
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引用次数: 0

摘要

阿卜杜勒al-Sattār Nāṣir(1947-2013)属于伊拉克作家和知识分子jj ā l al-Sittināt“60年代一代”,他们当时主导了文化舞台。这篇文章将Nāṣir作为一个被驱使的作家,他最初的写作是出于道德上的反应,以揭露所有伊拉克人民和种族在控制极权主义政权下的痛苦和野蛮行为,作为一个曾经被监禁的勇敢小说的作者,他希望有一天能催化一场民众推翻无法无天、滥用权力的领导人,从而结束笼罩伊拉克政体的恐惧和暴力。两个主题——那些拥有非凡权力的人所造成的破坏,以及他们使用谎言和欺骗来控制人民——是Nāṣir作品代表的三部小说的核心:abi al- ruri (2002), Niṣf al-Aḥzān“Half Sorrows”(2000)和Qushūr al-Badhinjān“Eggplant Peels”(2007)。在这三部小说中,Nāṣir揭露了Saddām Ḥusayn和他的心腹们难以想象的恐怖、暴力和残忍,以及他们用谎言和欺骗构成的宣传。Saddām被描绘成一个统治者,他把自己描绘成一个鼓舞人心的革命者,但实际上是一个欺骗公民的暴君,使他们受到残酷的控制,并将他们带入致命的战争。继乔治·奥威尔(George Orwell)的《1984》之后,Nāṣir的文学语料库试图撕下独裁者及其走狗的面具,他们压迫人民,剥夺他们任何思想自由,并将他们置于不断的监视之下。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Masks in the Iraqi Hell: On the Works of Iraqi Writer ʿAbd al-Sattār Nāṣir
ʿAbd al-Sattār Nāṣir (1947–2013) belonged to the group of Iraqi writers and intellectuals called Jīl al-Sittināt "the Sixties Generation", which dominated the cultural scene at the time. This article examines Nāṣir as a driven writer, who initially wrote out of a morally induced reaction to expose the suffering and brutalization of all Iraqi peoples and ethnicities by a controlling totalitarian regime, and as a once-incarcerated author of brave novels he hoped would someday catalyze a popular overthrow of the lawless, abusive leaders, thereby ending the fears and violence possessing Iraq’s body politic. Two themes -- the destruction wreaked by those with extraordinary power and their use of lies and deception to control the people –- are central to the three novels chosen as representative of Nāṣir’s oeuvre: Abū al-Rīsh (2002), Niṣf al-Aḥzān 'Half Sorrows' (2000) and Qushūr al-Badhinjān 'Eggplant Peels' (2007). In these three novels, Nāṣir exposes the unimaginable terror, violence and cruelty of Saddām Ḥusayn and his henchmen, as well as their propaganda, which consisted of lies and deception. Saddām is depicted as a ruler who presents himself as an inspiring revolutionary, but in fact is a tyrant who deceives the citizens, subjecting them to brutal control and leading them into deadly wars.  Following George Orwell’s 1984, Nāṣir’s literary corpus attempts to rip the masks from the faces of the dictator and his lackeys, who oppress the people, deny them any freedom of thought and keep them under constant surveillance.
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