单口喜剧幽默产生机制的语言文化分析(以俄语和德语为例)

Polina D. Dubrovskaya, K. Manerova
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引用次数: 0

摘要

相对较新的喜剧类型——单口喜剧刚刚开始引起语言学不同领域研究者的注意。对俄罗斯和德国单口喜剧演员的小品进行比较语言和文化分析,旨在建立两种语言文化中单口喜剧的普遍和不同类型特征,确定民族文化对喜剧的接受程度,表现在小品的主体上,并比较创造和感知言语幽默的机制(不协调理论)的使用。敌意理论和释放理论)对P. Volya和M. Mittermeier精选的20幅草图的材料进行了研究。研究发现,两部漫画所涉及的某些话题是相似的(技术领域的新趋势、汽车、假期和休息),而其他话题则不同(社会紧张、女权主义、男女关系、金融不稳定)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
LINGUOCULTUROLOGICAL ANALYSIS OF THE MECHANISMS OF HUMOR CREATING IN STAND UP (ON EXAMPLE OF RUSSIAN AND GERMAN)
The relatively new comedy genre stand-up comedy is just beginning to attract the attention of researchers from different areas of linguistics. A comparative linguistic and cultural analysis of selected sketches of the Russian and German stand-up comedians is aimed to establish universal and dissimilar typological features of the genre in two linguistic cultures, identify the reception of national culture of laughter in the genre, manifested in the subject of sketches, as well as compare the use of mechanisms for creating and perceiving verbal humor (incongruity theories, hostility theories and release theories) on the material of 20 selected sketches by P. Volya and M. Mittermeier. It was discovered that certain topics that both comics involved to laugh at were similar (new trends in technical sphere, automobiles, holidays and rest) while others varied (social tension, feminism, male and female relations, financial instability).
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