有毒的写作:改变的身体和景观

Gisela Heffes
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引用次数: 1

摘要

本文主要探讨当代阿根廷文学创作中的农村转向。它借鉴了劳伦斯·布尔(Laurence Buell)关于有毒话语的概念(1988),以分析两种叙事:萨曼塔·施韦布林(Samanta Schweblin)的《逃离的距离》(2014),胡安·迭戈·Incardona的《联邦的estrellas federales》(2016),以及朱利安·约文(christian Molina的笔名)的诗集《世界上的人》(2014)。随着农用化学品在阿根廷农村土壤中的出现和更频繁的使用,我认为这些著作表达了一种话语毒性,这种毒性锚定在一个变形的潘帕草原上。此外,转基因大豆的种植将空间变成了一个被污染和污染的景观,其农业毒素不分青红皂白地接种人类和非人类的身体。我在小说和诗歌中读到这些身体和空间的表现,作为一种文本化,它重新设计了主体与自然环境之间的关系,特别是乡村空间,用我暂时提出的“mal vivir”(糟糕的生活)的文学作品取代了“buen vivir”的话语。这种美学作品呼吁对环境正义的反思,考虑到污染景观迫在眉睫的破坏和退化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Escrituras tóxicas: cuerpos y paisajes alterados
This article focuses on the recent rural turn in contemporary Argentine literature production. It draws from Laurence Buell’s notion of toxic discourse (1988) in order to analyze two narratives: Distancia de rescate (2014) by Samanta Schweblin, and Las estrellas federales (2016), by Juan Diego Incardona, along with the poetry collection Un pequeno mundo enfermo (2014), by Julian Joven [pseudonym of Cristian Molina]. With the emergence and more frequent use of agrochemicals in the Argentine rural soil, I argue that these writings articulate a discursive toxicity anchored in a transfigured pampa. Furthermore, the cultivation of transgenic soy transforms the space into a contaminated and contaminating landscape, whose agrotoxics inoculate indiscriminately both human and nonhuman bodies. I read these bodily and spatial representations, in both the fictions and poetry, as a textualization that redesigns the relation between subject and the natural environmental, specifically the rural space, displacing a discourse of “buen vivir” for a literary production of what I propose, tentatively, as of “mal vivir” (bad living). This aesthetic production appeals to a reflection on environmental justice that considers the imminent damage and degradation of the contaminated landscape.
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