Cholis Mahardhika, Bambang Prihadi, Muhammad Widya Ari Wibowo
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引用次数: 0

摘要

后现代时代的发展可以使爪哇木偶Wayang Beber的存在重新焕发活力。本文采用定性方法和案例研究设计。数据收集技术通过文献研究、文献记录和访谈完成。数据分析技术为交互式数据循环。研究结果表明,在后现代时代,《Wayang Beber》在功能、主题、视觉形式、制作技术和整体表现上都发生了革命性的变化,更具吸引力。Wayang Beber展览的革命性变化旨在使其更接近公众。最终,木偶戏的存在已经重生为一种更有吸引力的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Wayang Beber in the Postmodern Era
The development in the postmodern era can revitalize the existence of Wayang Beber (a Javanese puppet). This paper was written with qualitative approach and a case study design. Data collection technique was done through literature studies, documentation, and interviews. The data analysis technique was interactive data cycle. The findings reveal that Wayang Beber revolutionized the functions, themes, visual forms, production techniques, and the overall show to be more attractive in the postmodern era. The revolutionary changes in the Wayang Beber show aim to make it more approachable to the general public. Ultimately, the puppet show’s existence has been reborn into a more attractive form.
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