{"title":"奇怪的怪物:把ssamance和Bit放在对话中","authors":"Cameron Mumford","doi":"10.15664/fcj.v20i0.2520","DOIUrl":null,"url":null,"abstract":"This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in conversation. I show how both of these queer horror films move beyond the questions of representation and investigate how the very genre of horror can be utilised to reflect ideas of queerness. I incorporate Robin Wood’s psychoanalytical perspective on the monster reflecting what society represses. However, unlike the films Wood analysed in the 70s/80s, these modern films do not just relegate queerness to subtext. Queerness is now present, alive, in the text. And here, I interrogate how the role of the monster in both films reflects ideas of queer lived experience. \n ","PeriodicalId":423883,"journal":{"name":"Frames Cinema Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Queer Monster: Putting Séance and Bit in Conversation\",\"authors\":\"Cameron Mumford\",\"doi\":\"10.15664/fcj.v20i0.2520\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in conversation. I show how both of these queer horror films move beyond the questions of representation and investigate how the very genre of horror can be utilised to reflect ideas of queerness. I incorporate Robin Wood’s psychoanalytical perspective on the monster reflecting what society represses. However, unlike the films Wood analysed in the 70s/80s, these modern films do not just relegate queerness to subtext. Queerness is now present, alive, in the text. And here, I interrogate how the role of the monster in both films reflects ideas of queer lived experience. \\n \",\"PeriodicalId\":423883,\"journal\":{\"name\":\"Frames Cinema Journal\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-11-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Frames Cinema Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.15664/fcj.v20i0.2520\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Frames Cinema Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15664/fcj.v20i0.2520","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Queer Monster: Putting Séance and Bit in Conversation
This video essay places Bit (Brad Michael Elmore, 2019, US) and Seance (Simon Barrett, 2021, US) in conversation. I show how both of these queer horror films move beyond the questions of representation and investigate how the very genre of horror can be utilised to reflect ideas of queerness. I incorporate Robin Wood’s psychoanalytical perspective on the monster reflecting what society represses. However, unlike the films Wood analysed in the 70s/80s, these modern films do not just relegate queerness to subtext. Queerness is now present, alive, in the text. And here, I interrogate how the role of the monster in both films reflects ideas of queer lived experience.
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