Adriana Anselmo Oliveira, Leonel Ribeiro, Nelson Ferreira
{"title":"3d扫描和打印在jorge barradas (palÁcio da justiÇa de lisboa)暴露陶瓷板修复过程中的使用","authors":"Adriana Anselmo Oliveira, Leonel Ribeiro, Nelson Ferreira","doi":"10.4995/rech6.2021.13611","DOIUrl":null,"url":null,"abstract":"The techniques applied to restore and conserve the 16 ceramic panels which are an integral part the façade of the Palácio da Justiça’s South Building, in Lisbon (authored by Jorge Barradas, Querubim Lapa and Júlio Resende), was marked by the adoption of disruptive technology as one of the main methods of approaching the pieces in need of intervention. Different materials and techniques, both digital and manual, either from physical or aesthetic perspectives, guaranteed their future preservation. Following principles of restoration ethics, photographic references of the compositions served as a goal to assimilate the original work as much as possible. Recurring missing parts were then to be reconstructed by means of 3D scanning and current object printing technology. Such technique allows a preview and manipulation through specific computer software. Once the file has been completed with all the information necessary to produce the object, it can be sent directly to a 3D printer. The main objective of intervening Jorge Barradas' panels with 3D printed objects, was to replace large key pieces in a non-intrusive way and without damaging the original work. Simultaneously, in addition to the durability of such printed materials, a \"life insurance\" is created in case of any damage or theft, since it can be replicated quickly from the thorough scan, stored in a digital file format. ","PeriodicalId":115079,"journal":{"name":"6th International Meeting on Retouching of Cultural Heritage. RECH6","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-11-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE USE OF 3D SCANNING AND PRINTING IN THE RESTORATION PROCESS OF THE EXPOSED CERAMIC PANELS OF JORGE BARRADAS (PALÁCIO DA JUSTIÇA DE LISBOA)\",\"authors\":\"Adriana Anselmo Oliveira, Leonel Ribeiro, Nelson Ferreira\",\"doi\":\"10.4995/rech6.2021.13611\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The techniques applied to restore and conserve the 16 ceramic panels which are an integral part the façade of the Palácio da Justiça’s South Building, in Lisbon (authored by Jorge Barradas, Querubim Lapa and Júlio Resende), was marked by the adoption of disruptive technology as one of the main methods of approaching the pieces in need of intervention. Different materials and techniques, both digital and manual, either from physical or aesthetic perspectives, guaranteed their future preservation. Following principles of restoration ethics, photographic references of the compositions served as a goal to assimilate the original work as much as possible. Recurring missing parts were then to be reconstructed by means of 3D scanning and current object printing technology. Such technique allows a preview and manipulation through specific computer software. Once the file has been completed with all the information necessary to produce the object, it can be sent directly to a 3D printer. The main objective of intervening Jorge Barradas' panels with 3D printed objects, was to replace large key pieces in a non-intrusive way and without damaging the original work. Simultaneously, in addition to the durability of such printed materials, a \\\"life insurance\\\" is created in case of any damage or theft, since it can be replicated quickly from the thorough scan, stored in a digital file format. \",\"PeriodicalId\":115079,\"journal\":{\"name\":\"6th International Meeting on Retouching of Cultural Heritage. RECH6\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-11-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"6th International Meeting on Retouching of Cultural Heritage. RECH6\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4995/rech6.2021.13611\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"6th International Meeting on Retouching of Cultural Heritage. RECH6","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4995/rech6.2021.13611","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
修复和保护16块陶瓷板的技术是里斯本Palácio da jusa南楼立面的组成部分(由Jorge Barradas, Querubim Lapa和Júlio Resende撰写),采用颠覆性技术作为接近需要干预的部件的主要方法之一。从物理或美学的角度来看,不同的材料和技术,无论是数字的还是手工的,都保证了它们未来的保存。遵循修复伦理的原则,对作品的摄影参考是为了尽可能地吸收原作。然后通过3D扫描和当前的物体打印技术来重建反复出现的缺失部分。这种技术允许通过特定的计算机软件进行预览和操作。一旦文件中包含了生产物体所需的所有信息,它就可以直接发送到3D打印机。将Jorge Barradas的面板与3D打印对象进行干预的主要目的是以非侵入性的方式替换大型关键部件,而不会损坏原始作品。同时,除了这种印刷材料的耐用性外,它还为任何损坏或盗窃提供了“人寿保险”,因为它可以从彻底扫描中快速复制,并存储在数字文件格式中。
THE USE OF 3D SCANNING AND PRINTING IN THE RESTORATION PROCESS OF THE EXPOSED CERAMIC PANELS OF JORGE BARRADAS (PALÁCIO DA JUSTIÇA DE LISBOA)
The techniques applied to restore and conserve the 16 ceramic panels which are an integral part the façade of the Palácio da Justiça’s South Building, in Lisbon (authored by Jorge Barradas, Querubim Lapa and Júlio Resende), was marked by the adoption of disruptive technology as one of the main methods of approaching the pieces in need of intervention. Different materials and techniques, both digital and manual, either from physical or aesthetic perspectives, guaranteed their future preservation. Following principles of restoration ethics, photographic references of the compositions served as a goal to assimilate the original work as much as possible. Recurring missing parts were then to be reconstructed by means of 3D scanning and current object printing technology. Such technique allows a preview and manipulation through specific computer software. Once the file has been completed with all the information necessary to produce the object, it can be sent directly to a 3D printer. The main objective of intervening Jorge Barradas' panels with 3D printed objects, was to replace large key pieces in a non-intrusive way and without damaging the original work. Simultaneously, in addition to the durability of such printed materials, a "life insurance" is created in case of any damage or theft, since it can be replicated quickly from the thorough scan, stored in a digital file format.