{"title":"通过非洲的图像和艺术来质疑神圣和世俗","authors":"I. Bargna","doi":"10.1080/15615324.2005.10426940","DOIUrl":null,"url":null,"abstract":"Abstract The purpose of this paper is to investigate the nexus between modernity and secularisation by means of an analysis of contemporary African artistic expressions. In particular I am going to discuss this topic with reference to my fieldwork concerning the rebuilding of the ‘Happiness hut’ (bung die) of the Bamileke chiefdom in Bandjoun, Cameroon.","PeriodicalId":360014,"journal":{"name":"Intellectual News","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2005-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Questioning the sacred and profane by means of African images and arts\",\"authors\":\"I. Bargna\",\"doi\":\"10.1080/15615324.2005.10426940\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The purpose of this paper is to investigate the nexus between modernity and secularisation by means of an analysis of contemporary African artistic expressions. In particular I am going to discuss this topic with reference to my fieldwork concerning the rebuilding of the ‘Happiness hut’ (bung die) of the Bamileke chiefdom in Bandjoun, Cameroon.\",\"PeriodicalId\":360014,\"journal\":{\"name\":\"Intellectual News\",\"volume\":\"37 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2005-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Intellectual News\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/15615324.2005.10426940\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Intellectual News","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/15615324.2005.10426940","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Questioning the sacred and profane by means of African images and arts
Abstract The purpose of this paper is to investigate the nexus between modernity and secularisation by means of an analysis of contemporary African artistic expressions. In particular I am going to discuss this topic with reference to my fieldwork concerning the rebuilding of the ‘Happiness hut’ (bung die) of the Bamileke chiefdom in Bandjoun, Cameroon.
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