1847 Feuilletons作为陀思妥耶夫斯基早期作品哲学的“解释性词典”

Tatyana G. Magaril-Il'yaeva
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引用次数: 1

摘要

本文分析了陀思妥耶夫斯基在1847年为《圣彼得堡评论》(saint - peterburgskie Vedomosti)的专栏“Peterburgskaya Letopis”所写的文章,作者试图通过在这一时期的其他文本中可以找到的艺术形象和符号来呈现他的世界观,而不是依靠哲学和神学概念。然而,在期刊文章的情况下,由于缺乏情节,这些图像显示得更加清晰,并且可以更容易地解释,而在那些情况下,当它们是小说作品复杂结构的一部分时。这些文本可以被定义为陀思妥耶夫斯基的“解释性词典”,陀思妥耶夫斯基在其中阐明其创作作品的主要形象和技巧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
1847 Feuilletons as an “Explanatory Dictionary” of the Philosophy of Dostoevsky’s Early Works
In the article are analyzed the feuilletons written by Fyodor Dostoevsky in 1847 for the column “Peterburgskaya Letopis” in the journal “Sankt-Peterburgskie Vedomosti”, where the writer tried to present his worldview relying not on philosophical and theological concepts but on artistic images and symbols that can be found in other texts from this period. However, in the case of journal articles, these images are shown far more clearly, due to the lack of plot, and can be interpreted more easily than in those cases when they are part of the complex structure of a work of fiction. These texts can be defined as the writer’s “explanatory dictionary”, where Dostoevsky clarifies the main images and techniques of his creative work.
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