普尼亚尼唐诗中自然意象的意蕴

A. Wagle
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引用次数: 0

摘要

尼泊尔生态诗歌选集《唐唱》由拉贾·普尼亚尼创作,在其大部分诗歌中加入了自然意象,以突出其生态主题。《生态独唱》和《生态合唱》两个部分分别包含诗歌和连诗。因此,本文考察了这些诗歌中所使用的自然意象,以及它们与所有诗歌中生态主题的联系。文章分析了所使用的图像,以及它们如何直接和间接地突出了人类对自然的侵犯及其未来的后果。为了解决这些目标,生态批评理论,主要是雷切尔·卡森的想法被使用。雷切尔·卡森提出了人类过去的活动如何导致他们走向与地球自然和生态系统有关的灾难性未来的观点。本研究的意义在于有助于读者认真地把这本选集看作是给全人类拯救地球及其生态系统的信息。本文认为,《唐诗》中几乎所有诗歌都充满了充满生态主题的强烈自然意象。它通过尼泊尔文学为提高生态意识铺平了道路,以解决当今世界面临的环境问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Implication of Nature Imageries in Puniyani's Tangsing
An anthology of Nepali Eco-poetry, Tangsing by Raja Puniyani includes nature imageries to focus its eco-theme in most of its poems. The two sections of this anthology as Eco-solo and Eco-chorus contain poems and poems in series respectively. So, the article investigates the nature imageries used in these poems and their connection with eco-theme in all the poems. The article analyses what imageries are used and how they directly and indirectly highlight to the human encroachment into nature and its consequences in future. To address these objectives, ecocritical theory, mainly the idea of Rachel Carson is used. Rachel Carson brings up the idea that how humans past activities leads them towards disastrous future related to nature and ecosystem of the earth. The significance of this study is to contribute to the reader to see the anthology seriously as a message to all human beings to save the earth and its ecosystem. The paper concludes that Tangsing is full of powerful nature imageries containing the eco-theme in almost all the poems in it. It paved the way towards eco-awareness through Nepali literature to address contemporary environmental issues faced by the world.
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