后世书写与坟墓处境2

J. Wildgoose
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摘要

这篇文章讨论了我作为一个艺术家和研究者审视坟墓的情况和意义的实践。首先,在伦敦南部西诺伍德公墓(West Norwood Cemetery)的一个特定地点的装置中,他与游客讨论人类遗体存放在哪里是否重要;其次,在圣潘克拉斯地穴画廊和贝斯纳格林的卢门地穴画廊的展览中,展示了人类遗骸从殖民地坟墓中被挪用的历史环境的证据,以研究19世纪后期博物馆的种族“科学”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Afterlife Writing and Situation of Graves II
This article discusses my practice as an artist and researcher examining the situation and significance of graves. First, in a site-specific installation at West Norwood Cemetery in South London, talking with visitors about whether it matters where human remains are deposited; secondly, in exhibitions at the Crypt Gallery St. Pancras and Lumen Crypt Gallery in Bethnal Green, presenting evidence of the historical circumstances in which human remains were appropriated from graves in the colonies, for the purposes of research into racial ‘science’ in museums during the late nineteenth century.
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