原创和美国小说

Ulrike Henny-Krahmer
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引用次数: 0

摘要

本文通过对19世纪来自墨西哥、阿根廷和古巴的西班牙裔美国小说的数字分析,探讨了文学文本、身份构成和类型之间的关系,以及它们的子类型,以及它们在集体身份形成中的作用,从小说字幕中发现的身份参考开始。本文特别分析了“原创中篇小说”的标签,以及可以归入“美国中篇小说”、“墨西哥中篇小说”、“阿根廷中篇小说”和“古巴中篇小说”的身份参考。研究发现,每一类身份小说,即在副标题中明确提及语言、文化或民族语境的小说,都有自己的特点。没有一种类型、主题或风格可以用来代表和构成身份,但每种情况都有特定的形式,这一结果与对群体定义故事的记忆研究的发现相一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Novelas originales y americanas
Relationships between literary texts, identity constitution, and genre are explored in this digital analysis of 19th century Spanish American novels from Mexico, Argentina, and Cuba, of their subgenres, and their function in the formation of collective identities, starting from references to identity which were found in the subtitles of the novels. In particular, the label “novela original”, as well as identity references that can be subsumed under the terms “novela americana”, “novela mexicana”, “novela argentina”, and “novela cubana” are analyzed. It is found that each type of identity novel, that is, novels with explicit references to a linguistic, cultural, or national context in their subtitle, has its own characteristics. There is not the one genre, theme, or style that serves to represent and constitute identity, but there are forms that are specific for each case, a result which corresponds with findings from memory studies on group-defining stories.
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