原型的精神分析概念化

Araz A. Mohammed
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引用次数: 0

摘要

本研究以卡尔·古斯塔夫·荣格(1875-1961)在《心灵的结构与动力》一书中讨论的人格、阴影和自我为原型的主要理论为基础,对基特·安德森的《五姐妹:一部现代库尔德女性小说》进行了精神分析解读。虽然热情好客、荣誉谋杀、政治迫害和抵抗在小说中作为一般的原型形象被用来给库尔德人贴上标签,但安德森在塑造人物、主题和背景方面的主要目的是展现苦难的普遍本质。五姐妹被可怕的情况所吞没,这产生了广泛的原因,促使小说家表现出各种形式的人格,影子的实现,以及自我的(解体)整合。为了创造一个自我主宰的世界,小说提出了两个前景:部落心态的消解和通过教育解放妇女。言下之意是,尽管安德森呈现的是一个宗族思想统治的村庄,但小说整体上是一架飞机,需要飞行员和两侧的失控灯来穿越和降落。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Psychoanalytic Conceptualization of Archetypes
This study proposes a psychoanalytic reading of Kit Anderson’s Five Sisters: A Modern Novel of Kurdish Women based on Carl Gustav Jung’s (1875-1961) major theories of archetypes which are the persona, the shadow, and the self discussed in Structure and Dynamics of the Psyche. While hospitality, honor killings, political persecution and resistance are displayed in the novel as general archetypal images that are used to label Kurds with, Anderson’s primary purpose in crafting characters, themes, and settings is the universal nature of suffering. The five sisters are engulfed by horrendous conditions, which produce a wide range of causes that push the novelist to exhibit various forms of the persona, the realization of the shadow, and the (dis)integration of the self. In order to create a world where  the self prevails, the novel proposes two prospects: the dismantlement of tribal mentality and the liberation of women through education. The implication is that although Anderson presents a village in which clan mentality rules, the novel altogether is a plane that needs a pilot and runaway lights on either side to work through and to land.
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