一个古老的音符:托马斯·哈代的世界和作品中的蛇

Douglas Yeo
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引用次数: 0

摘要

哈代的作品参考了教堂(西部画廊)乐队和他父亲家族领导的斯廷斯福德教堂画廊乐队中使用的许多乐器:虽然哈代家族乐队完全由弦乐器(小提琴和大提琴)组成,但哈代经常提到单簧管(被称为单簧管和单簧管),桶风琴,双簧管(男低音),鼓,铃鼓和蛇-其中最后一个是本文的主题。在哈代的乐队中发现的最不为人所知的乐器——如果是最具异国情调的话——蛇,它在19世纪早期在英国的发展和使用,引起了西方画廊音乐传统的风琴学家和学生的极大兴趣。哈代讲述蛇的作品揭示了他写作中一个丰富多彩的角落,并提供了一个更好地理解这种乐器在19世纪英国的作用和声音的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Good Old Note: The Serpent in Thomas Hardy's World and Works
Abstract Hardy's works reference many musical instruments used in both church (west gallery) bands and his paternal family's leadership of the Stinsford Church gallery band: while the Hardy family band consisted entirely of string instruments (violins and cello), Hardy makes frequent reference to the clarinet (rendered as clarionet and clar'net), barrel organ, oboe (hautboy), drum, tambourine and serpent — the last of these is the subject of this article. Possibly the least known instrument found in Hardy's bands — if the most exotic — the serpent, its development and use in England in the early 19 th century, is of considerable interest to organologists and students of the west gallery musical tradition. Hardy's works that speak of the serpent shed light on a colourful corner of his writing and provide an opportunity to gain a better understanding of the instrument's role and sound in nineteenth century England.
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