{"title":"《奥林匹克射击/埋藏:罗伯特·米彻姆的体育故事与战争小说》，作者:让·哈茨菲尔德","authors":"Pierre Vaucher","doi":"10.1515/difra-2015-0004","DOIUrl":null,"url":null,"abstract":"Abstract We would like to focus on the relationship between sport and war in literature by interrogating military engagement as an accepted form of violence. To address this issue, we analyse a narrative fiction by Jean Hatzfeld, entitled Robert Mitchum ne revient pas [Robert Mitchum is not coming back], which is based on the Bosnian War. By mixing sport, war and journalism, the author discusses the challenges of war testimony, between fascination with violence and pacifism.","PeriodicalId":448439,"journal":{"name":"Dialogues francophones","volume":"42 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tireur olympique/embusqué : récit sportif et fiction de la guerre dans Robert Mitchum ne revient pas de Jean Hatzfeld\",\"authors\":\"Pierre Vaucher\",\"doi\":\"10.1515/difra-2015-0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract We would like to focus on the relationship between sport and war in literature by interrogating military engagement as an accepted form of violence. To address this issue, we analyse a narrative fiction by Jean Hatzfeld, entitled Robert Mitchum ne revient pas [Robert Mitchum is not coming back], which is based on the Bosnian War. By mixing sport, war and journalism, the author discusses the challenges of war testimony, between fascination with violence and pacifism.\",\"PeriodicalId\":448439,\"journal\":{\"name\":\"Dialogues francophones\",\"volume\":\"42 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dialogues francophones\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/difra-2015-0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dialogues francophones","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/difra-2015-0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
我们想通过质疑军事交战作为一种被接受的暴力形式来关注文学中体育与战争之间的关系。为了解决这个问题，我们分析了让·哈茨菲尔德的一部叙事小说，题为《罗伯特·米彻姆不会回来了》(Robert Mitchum ne revient pas)，小说以波斯尼亚战争为基础。通过将体育、战争和新闻结合在一起，作者讨论了战争见证的挑战，在对暴力的迷恋和和平主义之间。
Tireur olympique/embusqué : récit sportif et fiction de la guerre dans Robert Mitchum ne revient pas de Jean Hatzfeld
Abstract We would like to focus on the relationship between sport and war in literature by interrogating military engagement as an accepted form of violence. To address this issue, we analyse a narrative fiction by Jean Hatzfeld, entitled Robert Mitchum ne revient pas [Robert Mitchum is not coming back], which is based on the Bosnian War. By mixing sport, war and journalism, the author discusses the challenges of war testimony, between fascination with violence and pacifism.
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