暴政和厌女症的反乌托邦:《使女的故事》和《卡胡兰军队》

Kübra Baysal
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引用次数: 0

摘要

玛格丽特·阿特伍德的《使女的故事》(1985)和莎拉·霍尔的《卡胡兰军队》(2007)是两部反乌托邦小说,展示了人类和地球可能的未来和厄运,呈现了女性的可怕状态,以及社会和非人类环境的退化。阿特伍德的《基列共和国》和霍尔的《权威》对女性实施了极度压迫、剥削和厌恶女性的命令,这破坏了日常生活的自然流动,摧毁了人类和非人类领域。这些小说通过女性主人公描绘了女性对暴政的反抗,描绘了由人类中心主义和父权统治的混乱和破坏的反乌托邦世界。本文旨在从女性主义和生态女性主义理论的角度探讨《使女的故事》和《卡胡兰军队》中反乌托邦社会中父权对女性的压迫问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dystopias of Tyranny and Misogyny: The Handmaid’s Tale and The Carhullan Army
Displaying the probable future and the doom of humanity and the Earth, Margaret Atwood’s The Handmaid’s Tale (1985) and Sarah Hall’s The Carhullan Army (2007) are two dystopian novels that present the terrible state of women along with the degradation of the society and the nonhuman environment. Atwood’s the Republic of Gilead and Hall’s the Authority enforce an extremely oppressive, exploitative, and misogynist order on women, which corrupts the natural flow of daily life and destroys the human and nonhuman spheres. Depicting the resistance of women against tyranny through female protagonists, these novels picture dystopian worlds of chaos and destruction ruled by anthropocentric and patriarchal dictate. With this perspective, this article aims to discuss the problem of patriarchal oppression on women in dystopian societies as portrayed in The Handmaid’s Tale and The Carhullan Army from the perspectives of the feminist and ecofeminist theories.  
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