分期生存:智力残疾、去机构化和去殖民化艺术教育

V. Freeman, Jamie Oshkabewisens, Joseph Clayton, Richard Fletcher
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引用次数: 0

摘要

这篇多媒体文章包含了一段关于戏剧《鸟让我思考自由》的背景、创作和影响的插图对话,对话者是非土著历史学家和戏剧艺术家维多利亚·弗里曼、土著演员杰米·奥什卡比威森、安大略省里多地区中心的土著艺术家和幸存者乔·克莱顿,以及非土著艺术教育教授理查德·弗莱彻,最初发表于第三届国际残疾研究、艺术与教育会议。通过生存的概念和实践,这个关于智力残疾、去机构化和非殖民化艺术教育的对话略有修改的版本伴随着戏剧中的静止图像,以及Zoom对话中的其他图像和戏剧中使用的重要艺术品的细节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Staging Survivance: Intellectual Disability, De-institutionalization, and Decolonial Arts Education
This multimedia article comprises an illustrated conversation about the context, creation, and impact of the play Birds Make Me Think About Freedom, between non-Indigenous historian and theater artist Victoria Freeman, Indigenous actor Jamie Oshkabewisens, Indigenous artist and survivor of Rideau Regional Centre in Ontario, Joe Clayton, and non-Indigenous art education professor Richard Fletcher, originally presented at the 3rd International Conference on Disability Studies, Arts & Education. This slightly revised version of the conversation about intellectual disability, de-institutionalization, and decolonial arts education through the lens of the concept and practice of survivance is accompanied by still images from the play along with other images from the Zoom conversation and details of important artworks used in the play.
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