字里行间:社交媒体、职业认同和电视的阈限劳动者

M. McNutt
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引用次数: 1

摘要

越来越多的自我表露的在线空间(个人网站、社交媒体网络)正在为电视工作者提供空间,在其中形成与行业等级的主导概念相关的独特而全面的职业身份。这篇文章考虑了那些将自己定位在这些空间“线之间”的电视工作者,在那里他们可以接触到与线上劳动者相关的创造力和权威话语,但仍然在行业等级制度中占据边缘化地位。本文以作曲家Bear McCreary(游戏邦注:代表作《太空堡垒卡拉狄加》和《行尸走肉》)的核心案例为例,探讨了他的经历如何将“行间”作为一种不稳定的职业身份形成形式,对许多人来说,如果没有谨慎、持续和不确定的谈判,这种形式是无法维持的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Between-the-Lines: Social Media, Professional Identity, and TV's Liminal Laborers
Increasingly, online spaces for self-disclosure (personal websites, social media networks) are offering television laborers spaces in which to form distinct and comprehensive professional identities in relation to dominant conceptions of industry hierarchies. This article considers television laborers who position themselves "between-the-lines" in these spaces, where they have access to discourses of creativity and authority associated with above-the-line laborers but nonetheless occupy marginalized positions within industry hierarchies. Drawing on a central case study of composer Bear McCreary (Battlestar Galactica, The Walking Dead), the article explores how his experience establishes "between-the-lines" as a precarious form of professional identity formation, inaccessible to many and unsustainable without careful, ongoing, and uncertain negotiation.
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