Bebop作为历史现实、城市美学和批判性话语

Philosophy & Geography Pub Date : 2003-08-01 DOI:10.1080/1090377032000114624

V. Colapietro

{"title":"Bebop作为历史现实、城市美学和批判性话语","authors":"V. Colapietro","doi":"10.1080/1090377032000114624","DOIUrl":null,"url":null,"abstract":"This paper focuses upon \"bebop\" as a distinctively urban movement for the purpose of contributing to the articulation of a distinctively urban aesthetics. The author examines both how the music was taken up in such cities as New York, Los Angeles, Kansas City, St. Louis, and Chicago, and in turn how an urban sensibility was expressed in this particular movement.","PeriodicalId":431617,"journal":{"name":"Philosophy & Geography","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2003-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Bebop as historical actuality, urban aesthetic, and critical utterance\",\"authors\":\"V. Colapietro\",\"doi\":\"10.1080/1090377032000114624\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper focuses upon \\\"bebop\\\" as a distinctively urban movement for the purpose of contributing to the articulation of a distinctively urban aesthetics. The author examines both how the music was taken up in such cities as New York, Los Angeles, Kansas City, St. Louis, and Chicago, and in turn how an urban sensibility was expressed in this particular movement.\",\"PeriodicalId\":431617,\"journal\":{\"name\":\"Philosophy & Geography\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2003-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Philosophy & Geography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1090377032000114624\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philosophy & Geography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1090377032000114624","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 2

摘要

本文聚焦于“比波普”作为一种独特的城市运动，目的是促进独特的城市美学的表达。作者考察了这种音乐在纽约、洛杉矶、堪萨斯城、圣路易斯和芝加哥等城市是如何被接受的，以及这种特殊运动是如何表达城市情感的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Bebop as historical actuality, urban aesthetic, and critical utterance

This paper focuses upon "bebop" as a distinctively urban movement for the purpose of contributing to the articulation of a distinctively urban aesthetics. The author examines both how the music was taken up in such cities as New York, Los Angeles, Kansas City, St. Louis, and Chicago, and in turn how an urban sensibility was expressed in this particular movement.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Philosophy & Geography

自引率

0.00%

发文量