互文性的对话

Christina Phillips
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引用次数: 0

摘要

本章探讨贾马尔·吉塔尼、纳吉布·马福兹和阿卜德·哈基姆·卡西姆作品中的宗教互文性。它考察了al-Ghitani如何改写伊本·伊亚斯的《Bada - ul - zuhur fi ' l- waqa - al-Duhur》中的元素,以揭示Al-Zayni Barakat(1971)中有关宗教与权力勾结的主题,以及Mahfuz的《Malhamat al-Harafish》(1977)中弥赛亚思想和预言神话是如何被解构的。本文分析了阿卜杜·哈基姆·卡西姆的短篇小说《马赫迪》(1984)中对基督受难的重新想象,作为对现代宗教暴力和替罪羊做法的评论,并讨论了文本中的宗教冲突,作为ren·吉拉德(ren Girard)模仿竞争导致通过牺牲实现集体自我净化的例子。它还探讨了与伊斯兰末世论的对话,以及卡西姆的《图拉夫明·哈巴尔·阿基拉》(1984)中梦的叙述,研究了天使审讯的场景和来世审判的模式是如何转变为传达社会和宗教主题的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Intertextual Dialogues
This chapter explores religious intertextuality in works by Jamal al-Ghitani, Najib Mahfuz and ‘Abd al-Hakim Qasim. It examines how al-Ghitani reworks elements of Ibn ‘Iyas’ Badaʿiʾ al-Zuhur fi’l-Waqaʿiʾ al-Duhur to bring out themes relating to the collusion of religion and power in Al-Zayni Barakat (1971) and how messianic thought and prophetic myth are deconstructed in Mahfuz’s Malhamat al-Harafish (1977). It analyses the reimagining of Christ’s crucifixion in ‘Abd al-Hakim Qasim’s short novel Al-Mahdi (1984) as a comment on modern-day religious violence and the practice of scapegoating, and discusses religious conflict in the text as an example of René Girard’s mimetic rivalry leading to communal self-purification through sacrifice. It also explores the dialogue with Islamic eschatology and dream narrative in Qasim’s Turaf min Khabar al-Akhira (1984), examining how the scene of the interrogating angels and pattern of judgement in the afterlife are transformed to communicate social and religious themes.
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