三种捷克语体裁中韵律位置对重音后升的影响

J. Volín, Radek Skarnitzl
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引用次数: 0

摘要

在一般语音学中,重读音节由于持续时间更长、强度更高、谱斜率更小和/或基频更高而被描述为更突出。然而,在某些语言中,词汇重音通常表现为重读后升音(L*+H)。以前专门研究捷克语应激后升高的研究在材料和/或方法上是有限的。我们目前的研究将材料扩展到三种语言类型的相当大的样本:专业讲故事,诗歌背诵和新闻阅读。超过30,000个音节被手工标记为它们的口音组状态。本研究的主要重点是重读音节与下一个音节之间的步,但除了步的出现频率和大小外,我们还研究了韵律短语中位置的影响。结果表明,重读后上升应该被认为是捷克语中典型的音高重音,但它并不均匀地出现在所研究的体裁和韵律位置中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Impact of Prosodic Position on Post-Stress Rise in Three Genres of Czech
In general phonetics, stressed syllables are described as more prominent due to greater duration, higher intensity, less steep spectral slope and/or higher fundamental frequency. However, there are languages in which lexical stress commonly manifests with a post-stress rise (L*+H). Previous studies dedicated to post-stress rises in Czech were limited in material and/or methodology. Our current study extends the material to sizeable samples of three genres of speech: professional story-telling, poetry reciting and news reading. Over 30,000 syllables were manually labelled in terms of their accent-group status. The main focus of the study was the step between the stressed and the following syllable, but apart from the frequency of occurrence and size of the step, we also examined the influence of the position within a prosodic phrase. The results suggest that the post-stress rise should be considered a typical pitch accent in Czech, but that it does not occur uniformly across the examined genres and prosodic positions.
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