{"title":"《我和音乐在家里结婚》","authors":"Vic Hobson","doi":"10.14325/mississippi/9781496819772.003.0007","DOIUrl":null,"url":null,"abstract":"This chapter explores Armstrong’s introduction to playing brass instruments in the Colored Waifs’ Home. As he described in his autobiography, he knowingly applied barbershop lines (baritone and tenor voices) to the Alto Horn he was asked to play. He also continued to sing in a barbershop quartet while in the Waifs’ Home with “Kid Shots” Madison, “Kid” Rena, and Red “Happy” Bolton. With the Waifs’ orchestra, Armstrong played “Maryland My Maryland” which he recorded in later life with “Kid” Ory. The relation between the sheet music and the recording is discussed.","PeriodicalId":412217,"journal":{"name":"Creating the Jazz Solo","volume":"71 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Me and Music Got Married in the Home”\",\"authors\":\"Vic Hobson\",\"doi\":\"10.14325/mississippi/9781496819772.003.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter explores Armstrong’s introduction to playing brass instruments in the Colored Waifs’ Home. As he described in his autobiography, he knowingly applied barbershop lines (baritone and tenor voices) to the Alto Horn he was asked to play. He also continued to sing in a barbershop quartet while in the Waifs’ Home with “Kid Shots” Madison, “Kid” Rena, and Red “Happy” Bolton. With the Waifs’ orchestra, Armstrong played “Maryland My Maryland” which he recorded in later life with “Kid” Ory. The relation between the sheet music and the recording is discussed.\",\"PeriodicalId\":412217,\"journal\":{\"name\":\"Creating the Jazz Solo\",\"volume\":\"71 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Creating the Jazz Solo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14325/mississippi/9781496819772.003.0007\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Creating the Jazz Solo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14325/mississippi/9781496819772.003.0007","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This chapter explores Armstrong’s introduction to playing brass instruments in the Colored Waifs’ Home. As he described in his autobiography, he knowingly applied barbershop lines (baritone and tenor voices) to the Alto Horn he was asked to play. He also continued to sing in a barbershop quartet while in the Waifs’ Home with “Kid Shots” Madison, “Kid” Rena, and Red “Happy” Bolton. With the Waifs’ orchestra, Armstrong played “Maryland My Maryland” which he recorded in later life with “Kid” Ory. The relation between the sheet music and the recording is discussed.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
