{"title":"圣吕德科维奇康塔塔交响乐《高加索》的表演理念:在当前历史情境下音乐与诗歌层面的内容互动","authors":"V. Koval","doi":"10.32782/2310-0583-2021-47.04","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"80 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"PERFORMANCE CONCEPT OF THE CANTATA-SYMPHONY “CAUCASUS” BY ST. LYUDKEVYCH: THE INTERACTION OF CONTENT MUSICAL AND POETIC LEVELS IN THE CURRENT HISTORICAL SITUATION\",\"authors\":\"V. Koval\",\"doi\":\"10.32782/2310-0583-2021-47.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":161017,\"journal\":{\"name\":\"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko\",\"volume\":\"80 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32782/2310-0583-2021-47.04\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32782/2310-0583-2021-47.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
PERFORMANCE CONCEPT OF THE CANTATA-SYMPHONY “CAUCASUS” BY ST. LYUDKEVYCH: THE INTERACTION OF CONTENT MUSICAL AND POETIC LEVELS IN THE CURRENT HISTORICAL SITUATION