巴特的《美国神话

Jonathan D Culler
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引用次数: 0

摘要

罗兰·巴特的作品在美国得到了非常积极的评价——1979年,韦恩·布斯称他是对当今美国批评影响最大的人——但美国在他的作品中扮演了一个奇怪的、经常是矛盾的角色。在他的中年时期,他曾四次访问美国——1958年、1961年、1966年和1967年——但他最初对纽约的热情很快就被一系列关于这个国家及其文化的负面评论所限制,1967年之后,他只回来过一次,非常短暂,尽管他很受欢迎。他反对当时法国知识分子中普遍存在的本能的反美主义,尤其是对美国现代性的抵制,但他很快就把美国变成了日本的衬托物,日本代表着真正的异国情调,与西方资产阶级文化相对立。尽管美国电影对他来说是一个重要的文化参考,但在他的作品中,对美国或美国文学的提及相对较少,但这些确实有助于揭示巴特情感和智力活动的复杂性,特别是因为它们经常具有比较维度。本章探讨了巴特书信和出版作品中对美国的不同态度和评论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Barthes’s Myths of America
Roland Barthes’s writings were very positively received in the United States – in 1979 Wayne Booth called him the strongest influence on American criticism today – but America played a strange, often contradictory role in his work. In his middle years he visited the US four times – in 1958, 1961, 1966, and 1967 – but his initial enthusiasm for New York City was soon qualified by a range of negative comments about the country and its culture, and after 1967 he only returned once, very briefly, though he was much in demand. While opposing the knee-jerk anti-Americanism common among French intellectuals in his day, and especially resistance to America’s modernity, he soon made America a foil for Japan, which represented true exoticism, the opposite of bourgeois Western culture. There are relatively few references to America or American literature in his writings, though American cinema was a significant cultural reference for him, but these do help to reveal the complexity of Barthes’s affective and intellectual engagements, especially since there is often a comparative dimension to them. This chapter explores the varying attitudes and comments about America in Barthes’s letters and his published writings.
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