活着的垂死的身体:通过一个视频艺术作品到达所有生命相互依赖的意识

R. Foster
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引用次数: 0

摘要

在这篇文章中,我想问一件处理死亡的艺术品如何处理人类对自然的归属感。我从我的录像作品中展开了我的论点,我通过生态社会化和“悲剧悖论”的概念进行了讨论。在艺术体验中,好奇心的取向可能有助于与生活的复杂性和脆弱性的不同影响产生更受欢迎的关系。在我的艺术之旅中,我提出艺术可以帮助我们放弃反驳人类死亡和将人类与自然分离的愿望,并帮助我们认识到所有生命的相互依存关系,这对采用生态社会生活取向至关重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Living Dying Body: Arriving at the Awareness of All Life’s Interdependencies through a Video Artwork
In this article, I ask how an artwork handling mortality can address human belongingness to the rest of nature. I develop my argument from my video work, which I discuss through the concepts of ecosocialization and the "paradox of tragedy." The orientation of curiosity in artistic experiences may aid in generating a more welcoming relationship with the diverse affects of life's complexities and vulnerabilities. As a result of my artistic journey, I propose that art can help us abandon our aspirations of refuting human mortality and separating humans from the rest of nature and aid in recognizing all life's interdependencies vital for adopting the ecosocial life orientation.
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