性别和类型

M. Dowd
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引用次数: 0

摘要

这一章讨论了莎士比亚喜剧中强势女性角色的流行,并将她们置于最近关于不同社会阶层英国女性多维地位、代理和生活经历的学术研究中。特别地,本章通过对莎士比亚和性别的新唯物主义视角来考虑喜剧中的女性代理。关注诸如继承、财产所有权和家庭管理等物质主义问题有助于阐明喜剧中女性权威的具体形式。本章分析了一些选定的喜剧,如《第十二夜》、《威尼斯商人》、《皆大欢喜》和《维罗纳两位绅士》,认为莎士比亚喜剧中许多女主人公的“力量”与她们所处的历史时代的物质条件是复杂地交织在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gender and Genre
This chapter addresses the prevalence of strong female characters in Shakespeare’s comedies, situating them within recent scholarship on the multidimensional status, agency, and lived experience of Englishwomen of different social classes. In particular, the chapter considers female agency in the comedies through the lens of new materialist approaches to Shakespeare and gender. Attending to such materialist concerns as inheritance, property ownership, and domestic management helps illuminate the specific forms of female authority that are enabled and disabled in the comedies. Analysing selected comedies, notably Twelfth Night, The Merchant of Venice, As You Like It, and The Two Gentlemen of Verona, this chapter argues that the perceived ‘strength’ of many of Shakespeare’s comic heroines is complexly interwoven with the material conditions of their historical moment.
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