{"title":"Al - Khansa - n:代表第一人称女性","authors":"Marlé Hammond","doi":"10.1002/9781118635193.ctwl0085","DOIUrl":null,"url":null,"abstract":"The seventh‐century Arabic poet al‐Khansaʾ (al‐Khansāʾ) composed lamentations that simultaneously celebrate patriarchal values and endow the female voice with a formidable subjective agency. This chapter contemplates the construction of such an elegiac voice through the analytical lens of grammatical gender and asks what the specificities of Arabic grammar and al‐Khansaʾ's skillful manipulation of its codes can contribute to universal notions of women's writing. It concludes that the complex rules of gender agreement that characterize Arabic, far from entrapping women in a stifling binary system, enable women to choose between marking their voices as decidedly feminine and leaving them conspicuously unmarked.","PeriodicalId":216710,"journal":{"name":"A Companion to World Literature","volume":"151 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Al‐Khansaʾ: Representing the First‐Person Feminine\",\"authors\":\"Marlé Hammond\",\"doi\":\"10.1002/9781118635193.ctwl0085\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The seventh‐century Arabic poet al‐Khansaʾ (al‐Khansāʾ) composed lamentations that simultaneously celebrate patriarchal values and endow the female voice with a formidable subjective agency. This chapter contemplates the construction of such an elegiac voice through the analytical lens of grammatical gender and asks what the specificities of Arabic grammar and al‐Khansaʾ's skillful manipulation of its codes can contribute to universal notions of women's writing. It concludes that the complex rules of gender agreement that characterize Arabic, far from entrapping women in a stifling binary system, enable women to choose between marking their voices as decidedly feminine and leaving them conspicuously unmarked.\",\"PeriodicalId\":216710,\"journal\":{\"name\":\"A Companion to World Literature\",\"volume\":\"151 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"A Companion to World Literature\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1002/9781118635193.ctwl0085\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"A Companion to World Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1002/9781118635193.ctwl0085","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Al‐Khansaʾ: Representing the First‐Person Feminine
The seventh‐century Arabic poet al‐Khansaʾ (al‐Khansāʾ) composed lamentations that simultaneously celebrate patriarchal values and endow the female voice with a formidable subjective agency. This chapter contemplates the construction of such an elegiac voice through the analytical lens of grammatical gender and asks what the specificities of Arabic grammar and al‐Khansaʾ's skillful manipulation of its codes can contribute to universal notions of women's writing. It concludes that the complex rules of gender agreement that characterize Arabic, far from entrapping women in a stifling binary system, enable women to choose between marking their voices as decidedly feminine and leaving them conspicuously unmarked.