商店谈话:嘻哈对圣地亚哥菲律宾裔美国理发师的影响

C. Vito
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引用次数: 0

摘要

理发文化经常与嘻哈相交叉。理发店经常将说唱音乐、街头服饰和流行文化融入他们的日常环境。与此同时,嘻哈文化的一个重要组成部分是人们选择的发型和设计。美国各地的许多菲律宾裔美国人利用理发和嘻哈文化来帮助创造他们自己独特的身份感——一种在散居和后殖民压迫的火焰中形成的身份感。在GHHS“展示与证明”部分的第一部分-关于嘻哈视觉文化,艺术和图像的短文-我说明了圣地亚哥的菲律宾裔美国人如何将理发店作为创业的手段和创造文化身份的渠道,将嘻哈与他们自己的移民和边缘化历史结合起来。我采访了菲律宾裔美国企业家马克·卡农尼扎多(Marc Canonizado),他于2014年在圣地亚哥开设了第一家公司Goodfellas Barbershop Shave Parlor。我们探讨了理发店、菲律宾裔美国人和嘻哈文化之间的复杂联系,并讨论了他的人生故事和未来的计划。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Shop talk: The influence of hip hop on Filipino‐American barbers in San Diego
Barber culture frequently intersects with hip hop. Barbershops often incorporate rap music, street wear apparel and popular culture into their daily environment. In tandem, an important part of hip hop culture is the haircuts and designs that people choose to get. Many Filipino-Americans across the United States utilize barber and hip hop culture to help create their own unique sense of identity ‐ a sense of identity forged in the fires of diaspora and postcolonial oppression. In this first instalment of the GHHS ‘Show and Prove’ section ‐ short essays on hip hop visual culture, arts and images ‐ I illustrate the ways in which Filipino-Americans in San Diego use barber shops both as a means of entrepreneurialism and as a conduit to create a cultural identity that incorporates hip hop with their own histories of migration and marginalization. I interview Filipino-American entrepreneur Marc Canonizado, who opened his first San Diego-based business, Goodfellas Barbershop Shave Parlor, in 2014. We explore the complex linkages between barbershops, Filipino-Americans and hip hop culture, as well as discuss his life story and plans for the future.
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