国家施加的暴力和苦难的伦理

M. Meere
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引用次数: 0

摘要

本章探讨了剧作家在加布里埃尔·伯宁的《索尔坦》(1561)和让·德·博布勒伊的悲剧《雷古勒斯》(1582)中把暴力历史题材搬上舞台的两种方式。两国的忠诚英雄都是国家暴力的受害者,尽管他们的故事展开得截然不同。在《索拉坦》中,穆斯塔法遵从父亲的命令去看望他,尽管他父亲警告他会杀了他。在《雷古勒斯》中,尽管知道迦太基人会惩罚他的背叛,但阿提利仍然忠于他的祖国(罗马)。然而,伯宁将穆斯塔法描绘成杀害子女的无辜受害者,而博布勒伊则将阿蒂利描绘成一个傲慢的战士,他的傲慢导致了他在战斗中的失败。尽管如此,阿德利还是接受了命运的改变和他在迦太基的惨死。因此,尽管他有缺点,但他是一个坚忍的典范,可能会激励观众自己采取高尚的行动。此外,虽然故事发生在奥斯曼帝国和地中海盆地,但它们反映了16世纪法国的宗教和内战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
State-Inflicted Violence and the Ethics of Suffering
This chapter investigates two ways in which playwrights adapt violent historical subjects for the stage in Gabriel Bounin’s Soltane (1561) and Jean de Beaubreuil’s tragedy Regulus (1582). The loyal heroes from both are victims of state violence, though their stories unfold quite differently. In La Soltane, Moustapha obeys his father’s orders to visit him despite being warned his father will have him killed. In Regulus, Atilie remains loyal to his homeland (Rome) despite knowing the Carthaginians will punish his betrayal. However, whereas Bounin depicts Moustapha as an innocent victim of filicide, Beaubreuil paints Atilie as an arrogant warrior whose hubris causes his defeat in battle. Nonetheless, Atilie accepts his change in fortune and his violent death in Carthage. Thus, despite his flaws, he is a stoic exemplar who might inspire spectators to take virtuous action themselves. Further, while the stories take place in the Ottoman Empire and the Mediterranean Basin, they mirror the religious and civil wars of sixteenth-century France.
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