{"title":"美","authors":"Q. Mao","doi":"10.1145/1665208.1665215","DOIUrl":null,"url":null,"abstract":"As 3D software, Maya is always said to be weak and hard to handle in 2D rendering and meticulous painting. For \"The Beauty,\" the production team explored Maya's potential for representing old Chinese-style painting and murals, including delicate characters, majestic palace scenes, thousands of soldiers fighting in a battlefield full of smoke and fire, and dancers with long, flowing silk inner sleeves.","PeriodicalId":208839,"journal":{"name":"ACM SIGGRAPH ASIA 2009 Computer Animation Festival","volume":"187 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2009-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":"{\"title\":\"The beauty\",\"authors\":\"Q. Mao\",\"doi\":\"10.1145/1665208.1665215\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As 3D software, Maya is always said to be weak and hard to handle in 2D rendering and meticulous painting. For \\\"The Beauty,\\\" the production team explored Maya's potential for representing old Chinese-style painting and murals, including delicate characters, majestic palace scenes, thousands of soldiers fighting in a battlefield full of smoke and fire, and dancers with long, flowing silk inner sleeves.\",\"PeriodicalId\":208839,\"journal\":{\"name\":\"ACM SIGGRAPH ASIA 2009 Computer Animation Festival\",\"volume\":\"187 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2009-12-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"6\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ACM SIGGRAPH ASIA 2009 Computer Animation Festival\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/1665208.1665215\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ACM SIGGRAPH ASIA 2009 Computer Animation Festival","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/1665208.1665215","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
As 3D software, Maya is always said to be weak and hard to handle in 2D rendering and meticulous painting. For "The Beauty," the production team explored Maya's potential for representing old Chinese-style painting and murals, including delicate characters, majestic palace scenes, thousands of soldiers fighting in a battlefield full of smoke and fire, and dancers with long, flowing silk inner sleeves.
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