古代传统语境下罗扎诺夫的创造性观念。

Oleg Yur'evich Akimov
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引用次数: 0

摘要

Rozanov的创造力是通过体验和联想的流动来实现的。这些经验是通过“成为”这一古老范畴的主题概念来整合的。这些分类用于收集Rozanov的个人直觉。罗扎诺夫学说被解释为外部和内部范围的协调。在罗扎诺夫看来,形成的内在范围包括人与事物从出生到死亡的运动。内部范围对应于具体的事物,代表着外部范围的复杂类似物。罗扎诺夫的特殊性在于事物不可能停止永恒的形成。在Rozanov看来,这种形成最终决定了它自己。这是Rozanov所说的折叠型熵。罗扎诺夫在描述他的生活和世界的存在时,阐述了熵的形式。他的描述是最有力的证据。我们借助古老的本体论范畴来解释罗扎诺夫的宇宙,并确定他的创造力是宇宙与混沌的相互作用。如何在宇宙与混沌之间找到平衡,是他学说和人生的主要生存问题。罗扎诺夫对这个问题的决定是不可能的,但这种不可能提供了在不同哲学方向的背景下理解罗扎诺夫的世界的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Conception of Creativity of Rozanov in the Context of Ancient Tradition.
The creativity of Rozanov is realized as the flow of experiences and associations. This experiences are putting together by means of the topic-conception “becoming”, that belongs to ancient categories. This categories are used to collect the dividual intuitions of Rozanov. Doctrine of Rozanov is interpreted as the coordination between the outside and the inside ranges of becoming. The inside rang of becoming includes by Rozanov the movement of people and things from birth to death. The inside ranges are corresponded with concrete things and represents the complex analogues to the outside range. The specific by Rozanov lies in the impossibility of things to stop eternal formation. By Rozanov this formation eventually determines itself. It is by Rozanov the folded type of entropy. Rozanov explicates forms of entropy, when he describes his life und the being of world. His descriptions are the is the evidence. We explain the cosmos by Rozanov with help of ancient ontological categories and determine his creativity as an interaction between cosmos and chaos. To find balance between cosmos and chaos is the main eksistential problem of his doctrine and life. The decision of this problem is by Rozanov imposable, but this impossibility gives the opportunity to understand the world of Rozanov in context of different directions of philosophy.
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