{"title":"路之梦","authors":"Tim Flight","doi":"10.4324/9781351189118-7","DOIUrl":null,"url":null,"abstract":"Manuscript: The Vercelli Book (chapter library of the cathedral at Vercelli, Codex CXVII). Editions:Krapp, George Philip, ed. The Vercelli Book. ASPR 2. New York: Columbia UP, 1932; Dickens, Bruce, and Alan S. C. Ross, eds. The Dream of the Rood. Methuen’s Old English Library. New York: Appleton, 1966; Swanton, Michael, ed. The Dream of the Rood. Manchester Old and Middle English Texts. New York: Barnes (for Manchester UP), 1970. Pope, John C., ed. Seven Old English Poems. 2nd ed. New York: Norton, 1981. It will be obvious that I have relied heavily on Swanton’s edition in my notes (click on the hyperlinked superscripts in the text to go to the notes). A general observation should be made here: this poem is remarkable for its extensive use of hypermetric lines, “used contrapuntally to accommodate significantly more complex thematic material” (Swanton 61).","PeriodicalId":247995,"journal":{"name":"Mystical Doctrines of Deification","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"12","resultStr":"{\"title\":\"The Dream of the Rood\",\"authors\":\"Tim Flight\",\"doi\":\"10.4324/9781351189118-7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Manuscript: The Vercelli Book (chapter library of the cathedral at Vercelli, Codex CXVII). Editions:Krapp, George Philip, ed. The Vercelli Book. ASPR 2. New York: Columbia UP, 1932; Dickens, Bruce, and Alan S. C. Ross, eds. The Dream of the Rood. Methuen’s Old English Library. New York: Appleton, 1966; Swanton, Michael, ed. The Dream of the Rood. Manchester Old and Middle English Texts. New York: Barnes (for Manchester UP), 1970. Pope, John C., ed. Seven Old English Poems. 2nd ed. New York: Norton, 1981. It will be obvious that I have relied heavily on Swanton’s edition in my notes (click on the hyperlinked superscripts in the text to go to the notes). A general observation should be made here: this poem is remarkable for its extensive use of hypermetric lines, “used contrapuntally to accommodate significantly more complex thematic material” (Swanton 61).\",\"PeriodicalId\":247995,\"journal\":{\"name\":\"Mystical Doctrines of Deification\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"12\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mystical Doctrines of Deification\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4324/9781351189118-7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mystical Doctrines of Deification","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9781351189118-7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Manuscript: The Vercelli Book (chapter library of the cathedral at Vercelli, Codex CXVII). Editions:Krapp, George Philip, ed. The Vercelli Book. ASPR 2. New York: Columbia UP, 1932; Dickens, Bruce, and Alan S. C. Ross, eds. The Dream of the Rood. Methuen’s Old English Library. New York: Appleton, 1966; Swanton, Michael, ed. The Dream of the Rood. Manchester Old and Middle English Texts. New York: Barnes (for Manchester UP), 1970. Pope, John C., ed. Seven Old English Poems. 2nd ed. New York: Norton, 1981. It will be obvious that I have relied heavily on Swanton’s edition in my notes (click on the hyperlinked superscripts in the text to go to the notes). A general observation should be made here: this poem is remarkable for its extensive use of hypermetric lines, “used contrapuntally to accommodate significantly more complex thematic material” (Swanton 61).