Љубинка П. Цекић
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引用次数: 0

摘要

作品的主题是Anđelko克尔斯蒂奇的文学开端。Anđelko krstiki的文学开端首先与杂志Srpski književni glasnik密切相关,特别是Srpski književni glasnik的第一个系列。虽然他在许多杂志和报纸上发表了他的第一部作品,但我们的注意力首先集中在Carigradski glasnik上,然后我们关注Anđelko krstiki断言自己是作家的时期,更确切地说,当文学批评认识到他的作品的价值时,这发生在krstiki在Srpski književni glasnik上发表他的四篇短篇小说的时刻:ve ito dužni (1911), Seoski pismonoša (1912), pe albarova žena (1913), Pokojni Alija, lular(1914)。在本文中,我们首先试图强调卡里格拉德斯基格拉斯尼克的重要性,然后是斯普斯基književni格拉斯尼克对Anđelko克尔斯蒂奇,特别是分析他的四篇短篇小说发表在这个塞尔维亚现代性杂志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
КЊИЖЕВНИ ПОЧЕЦИ АНЂЕЛКА КРСТИЋА
The subject of the work is the literary beginnings of Anđelko Krstić’s. Anđelko Krstić’s literary beginnings are first and foremost closely related to the magazine Srpski književni glasnik, specifically the first series of Srpski književni glasnik. Although he published his first works in numerous magazines and newspapers, our attention is focused first on the Carigradski glasnik, and then we focus on the period when Anđelko Krstić asserted himself as a writer, more precisely when literary criticism recognized the value of his work, which happens in moments when Krstić publishes his four short stories in Srpski književni glasnik: Večito dužni (1911), Seoski pismonoša (1912), Pečalbarova žena (1913), Pokojni Alija, lular (1914). In this paper, we first try to highlight the importance of the Carigradski glasnik, and then the Srpski književni glasnik for Anđelko Krstić, especially analyzing his four short stories published in this magazine of Serbian modernity.
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