阅读跨文化、跨代、跨文本的伍尔夫作品:弗吉尼亚·伍尔夫的《镜中女士》、奥斯卡·王尔德的《没有秘密的狮身人面像》和紫夫人的《玉高》

Virginia Woolf and the World of Books Pub Date : 1900-01-01 DOI:10.3828/liverpool/9781942954569.003.0032

Y. Kinoshita

{"title":"阅读跨文化、跨代、跨文本的伍尔夫作品:弗吉尼亚·伍尔夫的《镜中女士》、奥斯卡·王尔德的《没有秘密的狮身人面像》和紫夫人的《玉高》","authors":"Y. Kinoshita","doi":"10.3828/liverpool/9781942954569.003.0032","DOIUrl":null,"url":null,"abstract":"This chapter argues examines Virginia Woolf's interest in Far Eastern art and literature, arguing that it was not a short-lived intellectual flirtation but a lasting influence and source of inspiration. Kinoshita supports this by exploring the textual connections between three pieces of short fiction.","PeriodicalId":402065,"journal":{"name":"Virginia Woolf and the World of Books","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reading Intercultural, Intergenerational and Intertextual Woolf: Virginia Woolf’s “The Lady in the Looking-Glass,” Oscar Wilde’s “The Sphinx without a Secret,” and Lady Murasaki’s Yugao\",\"authors\":\"Y. Kinoshita\",\"doi\":\"10.3828/liverpool/9781942954569.003.0032\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter argues examines Virginia Woolf's interest in Far Eastern art and literature, arguing that it was not a short-lived intellectual flirtation but a lasting influence and source of inspiration. Kinoshita supports this by exploring the textual connections between three pieces of short fiction.\",\"PeriodicalId\":402065,\"journal\":{\"name\":\"Virginia Woolf and the World of Books\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Virginia Woolf and the World of Books\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/liverpool/9781942954569.003.0032\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Virginia Woolf and the World of Books","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/liverpool/9781942954569.003.0032","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 0

摘要

本章探讨了弗吉尼亚·伍尔夫对远东艺术和文学的兴趣，认为这不是短暂的智力调情，而是一种持久的影响和灵感来源。木下通过探索三篇短篇小说之间的文本联系来支持这一观点。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Reading Intercultural, Intergenerational and Intertextual Woolf: Virginia Woolf’s “The Lady in the Looking-Glass,” Oscar Wilde’s “The Sphinx without a Secret,” and Lady Murasaki’s Yugao

This chapter argues examines Virginia Woolf's interest in Far Eastern art and literature, arguing that it was not a short-lived intellectual flirtation but a lasting influence and source of inspiration. Kinoshita supports this by exploring the textual connections between three pieces of short fiction.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Virginia Woolf and the World of Books

自引率

0.00%

发文量