转型时代的女性主义。Piotr Piotrowski, Zofia Kulik与波兰女性主义艺术史的发展

A. Jakubowska
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引用次数: 0

摘要

本文分析了Piotr Piotrowski(1952-2015)在20世纪90年代活动的一个领域——他关于Zofia Kulik艺术的文章,更具体地说,是关于其女权主义维度的文章。我认为,尽管Piotrowski从未对女性艺术特别感兴趣,但他不仅在这一时期实践了女权主义批评,而且他还是一种特殊形式的女权主义反思发展的催化剂,这在当时的波兰艺术史上是新的。它关注权力关系,不接受与社会和政治问题保持距离。我从1989年后东欧女权主义话语发展的当代修订的角度来分析它,批判性地考察了它在西方思想中的嵌入性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Feminism in the Time of Transformation. Piotr Piotrowski, Zofia Kulik and the Development of Feminist Art History in Poland
This article is an analysis of one area of Piotr Piotrowski’s (1952–2015) activity in the 1990s – his writings on the art of Zofia Kulik and, more specifically, on its feminist dimension. I argue that although Piotrowski was never interested in women’s art in particular, not only did he practise feminist criticism during this period, but he was also a catalyst for the development of a specific form of feminist reflection that was then new in Polish art history. It focused on power relations and did not accept distancing oneself from social and political problems. I analyse it from the perspective of contemporary revisions of the development of feminist discourse after 1989 in Eastern Europe, which critically examines its embeddedness in Western ideas.
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