gh图文化活动中的Hamartia

R. Gurung
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引用次数: 0

摘要

gh图有一个致命的缺陷,因为它是关于皇室夫妇的死亡,主角,他们成为不幸的国家或财富猎人的受害者。他们的英年早逝使观众对这对皇室夫妇感到同情。这是观众的天性,他们想要一个圆满的结局,但很少有人有圆满的结局。大多数人面对的苦难,都是一种悲剧。只有死亡不是悲剧,面对不同的磨难也是悲剧。有些痛苦比死亡更折磨人。死亡是一次死亡,苦难是百次死亡。研究结果表明,悲剧故事比快乐故事更能吸引观众,因为悲剧故事更具有说教性和哲理性,更有教益性。没有人能逃脱厄运。因此,本文运用亚里士多德的怜悯与恐惧理论来分析这个gh图站点。在gh图中,悲剧的缺陷不是因为国王的傲慢或错误,而是因为他的不幸命运。他的对手突然攻击他。当他在战场上被杀时,这影响了他的王后,她被烧死了。这个gh图的故事是关于人们如何成为邪恶命运的受害者。无辜的人受到了伤害和惩罚。观众会因为同情和恐惧而意识到别人的错误。他们不想落入不幸的深渊,尽管这是不可避免的。这项研究关注的是人们为什么喜欢悲剧故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hamartia in Ghãtu Cultural Activity
Ghãtu has hamartia, a fatal flaw as it is about the deaths of the royal couple, the protagonists, who become the victims of unfortunate state or fortune hunter. Their early deaths moved the audiences that they have pity on the royal couple. It is the nature of audiences that they want the happy ending but there are very few people who have happy ending. Most people face the sufferings, a kind of tragedy. Only death is not a tragedy, facing different hardships is also a tragedy. Some sufferings can be much more torturous than the death. Death is one time death but suffering is hundred times death. The findings of the study show that the audiences entertain tragic story more than the happy story because tragic story is more didactic and philosophic as well as lesson oriented. And nobody can escape the ill fate. So, this paper employs Aristotle’s theory of pity and fear to analyze this Ghãtu site. In Ghãtu, the tragic flaw is not because of king’s arrogance or mistakes but because of his ill fate. His opponents suddenly attacked him. When he was slain on the battle field, this affected his queen and she immolated. This Ghãtu story is about how people become the victims of ill fates. The innocent people are victimized and punished. The audiences become aware of others mistakes as they have pity and fear. They do not want to fall into the vault of misfortunes although it is not avoidable. The study concerns on why people entertain tragic story.
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