雕刻的偶像

T. Alborn
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引用次数: 0

摘要

当黄金以古钱币和现代奖章的形式出现时,地位和阶级问题出现了新的转折。被埋藏的黄金的发现常常使工人阶级的发现者与受过教育的收藏家之间产生矛盾,前者的理性反应是熔化他们的发现,以获得金条,后者对这种无视历史和美学的行为感到震惊。金牌,对他们来说,衡量的是贵族政治家、运动员、学生和科学家等封闭群体的功绩,往往与发放给地位或手段较低的人的现金奖励形成鲜明对比。这些雕刻的图像通过使英国人能够发现他们的祖先,传播他们的博学,或者在后代中定位自己,从而赋予了非货币(因此也是有争议的)价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Graven Images
Issues of status and class appeared with new twists when gold took the form of ancient coins and modern medals. The discovery of buried gold often pitted working-class finders, whose rational response was to melt their finds down for the bullion content, against educated collectors, who were appalled by such disregard for history and aesthetics. Gold medals, for their part, measured merit among the closed ranks of aristocratic politicians, sportsmen, students, and men of science, often in explicit contrast to cash awards doled out to people of less status or means. These graven images conjured nonmonetary (and, consequently, controversial) value by enabling Britons to discover their forebears, broadcast their erudition, or locate themselves in posterity.
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